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	<title>PMC Archives &mdash; AudioTechnology</title>
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	<title>PMC Archives &mdash; AudioTechnology</title>
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		<title>Miles in Atmos</title>
		<link>https://www.audiotechnology.com/by-brand/pmc/miles-in-atmos</link>
					<comments>https://www.audiotechnology.com/by-brand/pmc/miles-in-atmos#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Mon, 15 Nov 2021 22:49:49 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[PMC]]></category>
		<category><![CDATA[atmos]]></category>
		<category><![CDATA[immersive]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[kind of blue]]></category>
		<category><![CDATA[miles davis]]></category>
		<category><![CDATA[remaster]]></category>
		<category><![CDATA[remix]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=61931</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/by-brand/pmc/miles-in-atmos">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/pmc/miles-in-atmos">Miles in Atmos</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">The PMC Dolby Atmos Music mix of the biggest selling jazz album of all time, Miles Davis’ Kind of Blue has just been released by Apple Music, making this seminal work available in an immersive format for the first time to the millions of Apple Music subscribers.</p>
<p class="p1">PMC’s monitor speakers are the reference for Dolby Atmos Music mixing and are featured in the top studios around the world for mixing in this emerging format. Facilities like Capitol Studios, Los Angeles and Dean Street Studios, London are <i>the </i>places when it comes to mixing music in Atmos and it was at Capitol Studios where Maurice Patist, president of PMC USA and head of pro global, worked on the remixing of the certified quadruple platinum Kind of Blue.</p>
<p class="p1">Working with the Miles Davis estate, Patist, Grammy winning engineer David Rideau and Capitol Studios’ Senior Engineer Steve Genewick gained special permission to remix Kind of Blue and Sketches of Spain into Dolby Atmos, which were presented at the High End Show, Munich in May 2019.</p>
<p class="p1">“At the time we did the mix it was purely for demonstration purposes,” says Patist, “but recently Sony Music contacted me and asked if they could use the Atmos mixes of both albums for future release. Of course, we made sure they did and are delighted that they have decided to release Kind of Blue, with Sketches of Spain to follow, using our original Atmos mixes.”</p>
<p class="p1">In addition to the Dolby Atmos multi-channel mix, Apple Music has also released a Spatial Audio (binaural) mix of the album for use with headphones, which was mixed simultaneously by the three engineers working at Capitol Studios.</p>
<p class="p1">Miles Davis’ Kind of Blue is available now to stream in Dolby Atmos and Spatial Audio through Apple Music on compatible devices.</p>

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<b>Australian Distributor: </b><a href="http://interdyn.com.au"><b>interdyn.com.au</b></a></div> <!-- description --></div> <!-- aio-icon-box --></div> <!-- aio-icon-component --></div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid vc_custom_1595296124081 vc_row-has-fill"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner vc_custom_1595990674300"><div class="wpb_wrapper"><div id="bsa-block-970--450" class="bsaProContainerNew bsaProContainer-86 bsa-block-970--450 bsa-pro-col-1" style="display: block !important"><div class="bsaProItems bsaGridNoGutter " style="background-color:"><div class="bsaProItem bsaReset" data-animation="fadeIn" style=""><div class="bsaProItemInner" style="background-color:"><div class="bsaProItemInner__thumb"><div class="bsaProAnimateThumb" style="display: block;margin: auto;"><a class="bsaProItem__url" href="https://www.audiotechnology.com/advertise?sid=86&bsa_pro_id=810&bsa_pro_url=1" target="_blank"><div class="bsaProItemInner__img" style="background-image: url(&#39;https://www.audiotechnology.com/wp-content/uploads/bsa-pro-upload/1686093264-AVE Corp_Brands_DA-min.gif&#39;)"></div></a></div></div></div></div></div></div><script>
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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/pmc/miles-in-atmos">Miles in Atmos</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<item>
		<title>PMC Launches New Monitor Range</title>
		<link>https://www.audiotechnology.com/news/pmc-launches-new-monitor-range</link>
					<comments>https://www.audiotechnology.com/news/pmc-launches-new-monitor-range#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Tue, 21 Sep 2021 07:16:50 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[PMC]]></category>
		<category><![CDATA[Studio Monitoring]]></category>
		<category><![CDATA[Studio Monitors]]></category>
		<category><![CDATA[Subwoofers]]></category>
		<category><![CDATA[ATL]]></category>
		<category><![CDATA[class d]]></category>
		<category><![CDATA[DSP]]></category>
		<category><![CDATA[immersive]]></category>
		<category><![CDATA[laminair]]></category>
		<category><![CDATA[midfield]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[nearfield]]></category>
		<category><![CDATA[new line]]></category>
		<category><![CDATA[new range]]></category>
		<category><![CDATA[pmc6]]></category>
		<category><![CDATA[PMC6-2]]></category>
		<category><![CDATA[PMC8 SUB]]></category>
		<category><![CDATA[PMC8-2]]></category>
		<category><![CDATA[PMC8-2 SUB]]></category>
		<category><![CDATA[replacement]]></category>
		<category><![CDATA[SOUNDALIGN]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[surround]]></category>
		<category><![CDATA[twotwo]]></category>
		<category><![CDATA[xbd]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=60635</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/pmc-launches-new-monitor-range">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/pmc-launches-new-monitor-range">PMC Launches New Monitor Range</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">UK loudspeaker manufacturer PMC launches a new and exciting line of compact near-and midfield monitors for audio professionals working in stereo and large scale immersive formats.</p>
<p class="p1">The line consists of the PMC6, PMC6-2, and PMC8-2, along with their associated subwoofers the PMC8 SUB and PMC8-2 SUB. These monitors, which replace the company’s existing twotwo Series, have the same sound signature as PMC’s main monitor products and hence complement them well.</p>
<p class="p1">The creation of PMC’s new range is the result of a holistic approach to loudspeaker design, in which the company has recognised and addressed the impact all parts of the monitor has on its overall performance. PMC started from the ground up to deliver on the goal of “highest possible resolution with the lowest possible colouration”. Among the innovations PMC has incorporated are all-new drivers, new DSP and Class-D amplifiers, as well as significant improvements to the company’s proprietary ATL bass-loading and Laminair air flow technologies.</p>
<p class="p1">The low frequency extension of the new designs belies the cabinet dimension due to advancements in both woofer and ATL bass loading technology. These are scalable systems that can easily grow to suit the end user’s requirements. The active subs can be seamlessly combined with the monitors to create one of PMC’s unique twin-cabinet XBD systems that deliver extended bass and dynamics. Alternatively, they can be used as stand-alone LF monitors for sub channels. Future proofing has also been engineered into every model with advancements such as an expansion card slot for planned future signal interfacing options.</p>
<p class="p1">When it comes to configuration, PMC has paid close attention to making this as straightforward as possible via menu-driven controls on the rear panel, or through the company’s SOUNDALIGN network interface. Accessed through wired connections to any standard network via any web-browser on a PC, Mac or Tablet, SOUNDALIGN’s digital connectivity allows users to individually control each monitor or set them up in defined groups ideal for large scale immersive systems.</p>
<p class="p1">PMC is now taking pre orders for all models in the new range.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/pmc-launches-new-monitor-range">PMC Launches New Monitor Range</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>PMC’s 30th Anniversary</title>
		<link>https://www.audiotechnology.com/news/pmcs-30th-anniversary</link>
					<comments>https://www.audiotechnology.com/news/pmcs-30th-anniversary#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Mon, 15 Feb 2021 05:39:02 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[PMC]]></category>
		<category><![CDATA[30 years]]></category>
		<category><![CDATA[anniversary]]></category>
		<category><![CDATA[atmos]]></category>
		<category><![CDATA[bb5]]></category>
		<category><![CDATA[lb1]]></category>
		<category><![CDATA[loudspeakers]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[post production]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=56202</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/pmcs-30th-anniversary">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/pmcs-30th-anniversary">PMC’s 30th Anniversary</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">UK-based PMC is celebrating its 30th anniversary this year, marking three decades of ‘Best of British’ loudspeaker design and manufacture for both the international professional music production and audiophile markets.</p>
<p class="p1">Peter Thomas, PMC founder and owner, says, “When I started the company with my friend and colleague, Adrian Loader, I had no idea that our audio knowledge and passion for music would one day end up with our small company designing and building universally respected loudspeakers for audiophiles and for some of the biggest artists, producers and audio facilities in the world.”</p>
<p class="p1">PMC was established in 1991 by Peter, then a BBC engineer, and FWO Bauch engineer Adrian, in response to requirements from the BBC for a monitor speaker that could handle the high sound levels required for pop and rock monitoring, but with ultra-high resolution. The pair created their first loudspeaker, the ‘Big Box’, in Peter’s garage and accompanying electronics in Adrian’s garage. Once refined and renamed the BB5, it was installed into BBC Maida Vale Studios and so started the journey of discovery and invention to perfect the art of loudspeaker design that continues today.</p>
<p class="p1">Shortly after the introduction of the BB5 and formation of PMC, Peter and Adrian launched their first domestic loudspeaker, the LB1. The company now has an enviable reputation in the home audio and custom installation sectors, with products that bring studio quality audio reproduction into the home. It is this bringing together of the professional and domestic audio worlds that makes PMC the speaker of choice of discerning professionals, audiophiles and music lovers.</p>
<p class="p1">Peter Thomas explains why this dual market approach is such an advantage for PMC, “In terms of music reproduction, there shouldn’t be a distinction between a loudspeaker designed for studio use and one for domestic use &#8211; the speaker is either reproducing the music correctly or it isn’t.</p>
<p class="p1">“The guiding principle for our R&amp;D team is that the same ultra-high-resolution loudspeaker can be used throughout the entire recording and playback process – from studio to home. The work we do developing new studio speakers directly benefits our hi-fi product development and conversely, some of the discoveries we make when creating a new range of hi-fi loudspeakers find their way into our pro models. This means that domestic users can experience their music sounding the same as it did in the studio and exactly as the artist intended.”</p>
<p class="p1">PMC’s core technologies, shared between pro and domestic, include the Advanced Transmission Line, or ATL, bass loading, the aerodynamically designed Laminair vent, dome midrange drivers and tweeter dispersion grilles.</p>
<p class="p1">These innovations are to be found in the stunning products that bear the PMC name and which have been the recipients of countless awards and accolades. These include the powerful QB1 monitors that have pride of place in studios like Capitol in LA and 301 in Sydney, and the recently launched fact fenestria and twenty5i series hi-fi speakers, and the high-performance Ci Series that are ideal for so many markets including studios and home theatres.</p>
<p class="p1">In recent years, PMC has been leading the field in the burgeoning immersive audio market by partnering with Dolby. This has resulted in its loudspeakers being installed in Dolby Atmos music mixing rooms around the world and becoming the reference for Atmos music mixing. In addition, PMC has also engineered Atmos mixes for artists such as Miles Davis and Gordon Goodwin’s Big Phat Band and built its own Atmos enabled mix facilities in Nashville, New York and Los Angeles. Its speakers were also chosen by the Rolling Stones for the Atmos presentation at the band’s ‘Unzipped’ exhibition.</p>
<p class="p1">In the 30 years since the company was founded, its workforce has gone from just two to 60 around the world. With its head office in Biggleswade, UK and satellite offices in Los Angeles, Nashville and New York and two manufacturing plants in the UK, PMC can service its global customer base with efficiency and ease.</p>
<p class="p1">Peter Thomas sums up his feelings about the last 30 years, “Celebrating a 30th anniversary is a major milestone for any company, and we know that we couldn’t have done any of this without the help of our staff and customers. Their support and dedication have enabled us to build a highly respected global brand. For that we are extremely grateful and would like to say a massive and heartfelt thank you as we look forward to the next chapter in the PMC story.&#8221;</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/pmcs-30th-anniversary">PMC’s 30th Anniversary</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Review: PMC Twotwo.6 Nearfield Monitors</title>
		<link>https://www.audiotechnology.com/reviews/pmc-twotwo-6-nearfield-monitors</link>
					<comments>https://www.audiotechnology.com/reviews/pmc-twotwo-6-nearfield-monitors#respond</comments>
		
		<dc:creator><![CDATA[Brad Watts]]></dc:creator>
		<pubDate>Thu, 02 May 2019 23:00:47 +0000</pubDate>
				<category><![CDATA[Issue 51]]></category>
		<category><![CDATA[PMC]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Studio Monitors]]></category>
		<category><![CDATA[issue]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[nearfield]]></category>
		<category><![CDATA[Twotwo.6]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=39070</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/reviews/pmc-twotwo-6-nearfield-monitors">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/pmc-twotwo-6-nearfield-monitors">Review: PMC Twotwo.6 Nearfield Monitors</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p>Blimey! Another pair of PMC monitors decorate my monitor bridge for the second time in 12 months. As I mentioned in my review of the Result6 monitors, I don’t see new PMC nearfield models that often, they’re simply not that prolific. The company’s sweetspot has, for many years, been in midfield and main monitors. The kind of monitors that require a thorough installation process, soffit mounting and a crane. Have a look at PMC’s site for the QB1 XBD-A for an idea of just how far PMC will go in terms of brute strength — at 10,425 Watts per side and weighing in at 290kg, the QB1 XBD-A will will hurl you into other side of next week should you dare run them at full mizzen. I’ll stick with the more affordable nearfields for now.</p>
<p>PMC’s twotwo series predates the analogue-only result.6. The twotwo lineage includes all the bells and whistles — analogue and digital inputs, along with digital equalisation options. You can also control the monitors over RJ45 Cat cables with either PMC’s DMC controller or the twotwo specific rc1 controller. Interestingly, PMC has designed the twotwo range with specific left and right units. PMC suggest the high frequency drivers should be on the inside of your listening triangle. So if you want to lay the twotwos horizontally rather than vertically, you’ll need to swap the monitors over.</p>
<p>So gracing my monitor bridge are two twotwo.6 monitors — the middle child of the range. These sport a 6.5-inch low frequency driver, while the twotwo.5 offers a 5.5-inch, and the twotwo.8 housing an eight-inch driver. All are powered using Class-D amplification with 50W for the high-frequency driver and two amps bridged providing 150W to the low-end. The high-end driver is a 27mm soft dome unit while the low-frequency unit is a doped-paper cone design. Of course, PMC’s ATL transmission line design is used in the cabinet design, with porting via the front baffle. Much was spoken about transmission line designs in my review of the Result6 from AT127. It’s certainly not a new concept, having initially appearing back in the 1930s, yet PMC has become the foremost proponent of transmission line design to date. But in a nutshell, transmission line designs provide superior bass extension and higher SPL capability compared to the usual ported or sealed cabinet of a similar size. An additional advantage is an even frequency response across all listening levels.</p>
<h4><b>WELL CONNECTED</b></h4>
<p>Connectivity-wise there’s quite a lot going on out back of the twotwo monitors. Analogue connection is via either balanced XLRs or unbalanced RCA connectors, while digital connection is AES/EBU XLRs. Juggling your digital channels involves connecting the RJ45 connectors. The Thru RJ45 connection will carry digital audio to the next monitor’s RJ45 In, whether that be in a stereo setting or surround monitoring rigs. However, should there be both AES/EBU and the RJ45 connectors receiving digital audio signal the AES/EBU input will take priority. Unfortunately there’s no Dante compatibility, which is a shame.</p>
<p>To the top rear of the twotwo cabinets is an LCD display and four software navigation buttons.These access all settings as to input level and for the DSP-based equalisation. EQ options include high and low shelf EQs over a ±4dB range in stupendously accurate 0.125dB steps, with the high-end frequency point at 1kHz for some surgical tizz and the low shelf set at 500Hz (the smaller twotwo 5 models have a 750Hz low-end shelf). PMC advise the low-end rolloff is primarily used to counteract the effect of room boundaries, with an additional 6dB/octave high-pass filter at 50, 80, 120, 150, or 200Hz to further assist close to wall setups, and in configuring surround setups. Other functions include trim, input sensitivity, input source, and dim time for the LCD backlight. The monitors will also go into standby mode, or sleep. Great for saving power, but a little disconcerting when you initially arc up a pair and one monitor comes to life before the other — that sent me on a troubleshooting goose-chase for a (thankfully) short while. The wake process isn’t nearly as pronounced when using the digital inputs, though.</p>
<p>Being DSP controlled and allowing connection of digital signals, the units obviously involve A/D and D/A conversion. Conversion is of the delta-sigma variety and can accept sample rates from 32 to 192k, but output is always converted to 96k before hitting the amplifiers.</p>

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			<h4 style="text-align: center;"><strong>NEED TO KNOW</strong></h4>

		</div>
	</div>
<div class="uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin   "><ul class="uavc-list"><li><div class="uavc-list-content" id="list-icon-wrap-6564">
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<p>RRP $7749</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-8930">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-phone"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-8930 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONTACT</b></p>
<p>Interdyn:<br />
(03) 9426 3600<br />
<a href="mailto:pro@pmcspeakers.com.au">pro@pmcspeakers.com.au</a><br />
<a href="http://www.interdyn.com.au">www.interdyn.com.au</a></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-9474">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-check"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-9474 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PROS</b></p>
<p>Superior two-way sound<br />
Excellent room matching features<br />
Great connectivity</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-8235">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-close remove times"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-8235 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONS</b></p>
<p>Priced out of reach to most</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-6280">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-stack-exchange"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-6280 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>SUMMARY</b></p>
<p>Audio ‘beauty’ is in the ‘eye’ of the beholder at this end of the premium market. But with their superior imaging, extended bass response, connectivity, and ability to fine tune the response to your room,<span class="Apple-converted-space">  </span>I rate PMC’s twotwo monitors very highly indeed. If you love the sound but don’t need the bells and whistles, then check out PMC’s Result6 (reviewed in AT127). Give Interdyn a buzz for a test drive.</span></div></li></ul></div></div></div></div></div><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid vc_custom_1595296124081 vc_row-has-fill"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner vc_custom_1595990674300"><div class="wpb_wrapper"><div id="bsa-block-970--450" class="bsaProContainerNew bsaProContainer-86 bsa-block-970--450 bsa-pro-col-1" style="display: block !important"><div class="bsaProItems bsaGridNoGutter " style="background-color:"><div class="bsaProItem bsaReset" data-animation="fadeIn" style=""><div class="bsaProItemInner" style="background-color:"><div class="bsaProItemInner__thumb"><div class="bsaProAnimateThumb" style="display: block;margin: auto;"><a class="bsaProItem__url" href="https://www.audiotechnology.com/advertise?sid=86&bsa_pro_id=740&bsa_pro_url=1" target="_blank"><div class="bsaProItemInner__img" style="background-image: url(&#39;https://www.audiotechnology.com/wp-content/uploads/bsa-pro-upload/1673238695-Riedel_PA-pichi.jpg&#39;)"></div></a></div></div></div></div></div></div><script>
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</div></div></div></div><div class="aio-icon-header" ><h4 class="aio-icon-title ult-responsive"  data-ultimate-target='#Info-box-wrap-4793 .aio-icon-title'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="color:#ffffff;">HEAR THEM AT YOUR PLACE</h4></div> <!-- header --><div class="aio-icon-description ult-responsive"  data-ultimate-target='#Info-box-wrap-4793 .aio-icon-description'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="color:#ffffff;">As you can tell from Brad’s review, if you’re not experienced with transmission lines, it can take a little time to adjust. To help you make a decision, PMC Australia has demo pairs of its range available to AudioTechnology readers. If you want to try them out in your own space, just give them a buzz or email on:</p>
<p>(03) 9426 3660 or <span style="color: #ffffff;"><a style="color: #ffffff;" href="mailto:pro@pmcspeakers.com.au">pro@pmcspeakers.com.au</a></span></div> <!-- description --></div> <!-- aio-icon-box --></div> <!-- aio-icon-component --></div></div></div><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row-full-width vc_clearfix"></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-10"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h4><b>ALARMINGLY GOOD</b></h4>
<p>I took PMCs advice and ran the twotwos in for the advised 20 hours. After hearing no discernible difference I assumed that being a demonstration pair they’d probably done a few miles before I clasped ears on them. That said, There wasn’t a lot I disliked about the twotwos. The bass extension is, as always with PMC monitors, impressive, and, as so many will tell you, <i>linear</i> throughout whichever SPLs you care to shunt into them. The twotwo.6 units are however, quite clinical, but there’s a plethora of finessing you can employ with EQ options to get them ‘in the pocket’. However, once you’ve settled into a perfect EQ the imaging is alarmingly stable. Midrange detail is quite astounding for a two-way monitor — far superior to any in my collection of two-way systems. It’s hard to fault the twotwos. If you’ve the pockets for PMC’s flagship nearfields you’d be doing yourself a disservice not auditioning them. <b> </b></p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/pmc-twotwo-6-nearfield-monitors">Review: PMC Twotwo.6 Nearfield Monitors</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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