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	<title>QSC Archives &mdash; AudioTechnology</title>
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	<title>QSC Archives &mdash; AudioTechnology</title>
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	<item>
		<title>QSC’s New Intelligent Active Loudspeakers</title>
		<link>https://www.audiotechnology.com/news/qscs-new-intelligent-active-loudspeakers</link>
					<comments>https://www.audiotechnology.com/news/qscs-new-intelligent-active-loudspeakers#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Tue, 04 Apr 2023 01:12:25 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[PA Systems]]></category>
		<category><![CDATA[QSC]]></category>
		<category><![CDATA[AC power]]></category>
		<category><![CDATA[Acoustic Linear Phase]]></category>
		<category><![CDATA[Array Installation Modeling]]></category>
		<category><![CDATA[Automatic Wireless Array Recognition]]></category>
		<category><![CDATA[David Angress]]></category>
		<category><![CDATA[DEEP mode]]></category>
		<category><![CDATA[LA108]]></category>
		<category><![CDATA[LA112]]></category>
		<category><![CDATA[Length-Equalized Acoustic Flare]]></category>
		<category><![CDATA[LS118]]></category>
		<category><![CDATA[PowerCON TRUE1]]></category>
		<category><![CDATA[QSC AIM]]></category>
		<category><![CDATA[QSC ALP]]></category>
		<category><![CDATA[QSC AWARE]]></category>
		<category><![CDATA[QSC DEEP]]></category>
		<category><![CDATA[QSC LEAF]]></category>
		<category><![CDATA[RapidDeploy]]></category>
		<category><![CDATA[SysNav App]]></category>
		<category><![CDATA[System Navigator]]></category>
		<category><![CDATA[tag distribution]]></category>
		<category><![CDATA[Technical Audio Group distribution]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=75188</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/qscs-new-intelligent-active-loudspeakers">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/qscs-new-intelligent-active-loudspeakers">QSC’s New Intelligent Active Loudspeakers</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">The next generation of advanced, intelligent, active loudspeakers has been released, and is aimed at applications ranging from simple, portable, plug-and-play setups, to demanding, networked, high-tech AV productions and fixed installations. Through a deep understanding of customer needs and application requirements, QSC’s L Class delivers its exceptional performance and extraordinary audio experience via high-output amplification, state-of-the-art DSP, premium components, extensive system intelligence and an elegantly intuitive user interface.</p>
<p class="p1">L Class also sets a new standard for ease of use, as its users will be able to confidently configure and deploy any L Class system with unmatched speed and reliability. Onboard Dante connects L Class to networked AV systems and connected stages. Meticulously developed with sound quality and expandability in mind, the new LA108 (two-way, 8-inch) and LA112 (two-way, 12-inch) active line array loudspeakers are complemented by the LS118 (single 18-inch) active subwoofer, each offering a brilliant combination of leading-edge innovation and ease of use.</p>
<p class="p1">Technical innovations abound in the LA108 and LA112, including the proprietary QSC LEAF (Length-Equalized Acoustic Flare) waveguide, the ergonomically designed, single operator QSC RapidDeploy rigging system, and QSC AWARE (Automatic Wireless Array Recognition) system intelligence, which also provides one-button single box or full array intelligence and optimisation.</p>
<p class="p1">The LS118 active subwoofer’s on-board DSP further optimises and protects system performance while also offering advanced capabilities such as the ability to array two units in a cardioid arrangement, maximising low frequency output in front while minimising unwanted energy around the sides and rear of the system. DEEP mode provides additional low frequency extension and driver excursion processing. All models feature QSC Acoustic Linear Phase (ALP) design, allowing cohesive phase response when deployed with other QSC loudspeakers in a given environment.</p>
<p class="p1">Both line array loudspeakers can be deployed using dedicated array frames, ground-stacked (array frame combined with optional sub-stack adapter) or mounted in one of two pole cups using loudspeaker stands or poles of various lengths. The LS118 can be deployed in both horizontal and vertical orientations in a ground-stack configuration or using one of its two pole receptacles.</p>
<p class="p1">All three models feature daisy-chain connections for analog and digital audio as well as AC power (PowerCON TRUE1) and are backed by an industry-best global Six-Year Extended Warranty, with product registration.</p>
<p class="p1">The QSC SysNav (System Navigator) App for Windows and iPadOS further enhances the L Class user experience, providing the ability to easily design, configure, control, monitor and apply signal processing to individual loudspeakers, full arrays or groupings of both. Additionally, the AIM (Array Installation Modeling) prediction tool lets the user visualise array coverage by positioning virtual loudspeakers and arrays in a scaled, graphical model of a venue or installation space.</p>
<p class="p1">“The innovations found in L Class are truly astonishing in their capacity to equip users at every level of experience with the capability to achieve superior sonic performance quickly and easily,” states David Angress, General Manager, QSC Pro Audio. “The ability to bring this quality of product to market and make it accessible to a wide range of customers is remarkable, and if the early reviews from key customers are any indication, L Class is destined to be another runaway success for QSC and our channel partners everywhere.”</p>

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<strong>Australian Distribution:</strong> <a href="http://www.tag.com.au">tag.com.au</a></div> <!-- description --></div> <!-- aio-icon-box --></div> <!-- aio-icon-component --></div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid vc_custom_1595296124081 vc_row-has-fill"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner vc_custom_1595990674300"><div class="wpb_wrapper"><div id="bsa-block-970--450" class="bsaProContainerNew bsaProContainer-86 bsa-block-970--450 bsa-pro-col-1" style="display: block !important"><div class="bsaProItems bsaGridNoGutter " style="background-color:"><div class="bsaProItem bsaReset" data-animation="fadeIn" style=""><div class="bsaProItemInner" style="background-color:"><div class="bsaProItemInner__thumb"><div class="bsaProAnimateThumb" style="display: block;margin: auto;"><a class="bsaProItem__url" href="https://www.audiotechnology.com/advertise?sid=86&bsa_pro_id=810&bsa_pro_url=1" target="_blank"><div class="bsaProItemInner__img" style="background-image: url(&#39;https://www.audiotechnology.com/wp-content/uploads/bsa-pro-upload/1686093264-AVE Corp_Brands_DA-min.gif&#39;)"></div></a></div></div></div></div></div></div><script>
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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/qscs-new-intelligent-active-loudspeakers">QSC’s New Intelligent Active Loudspeakers</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>QSC Launches v3 Firmware</title>
		<link>https://www.audiotechnology.com/news/qsc-launches-v3-firmware</link>
					<comments>https://www.audiotechnology.com/news/qsc-launches-v3-firmware#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Tue, 07 Mar 2023 01:07:29 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[QSC]]></category>
		<category><![CDATA[Anti-Feedback]]></category>
		<category><![CDATA[Automatic Microphone Mixers]]></category>
		<category><![CDATA[Class-A microphone preamplifiers]]></category>
		<category><![CDATA[Cue List management]]></category>
		<category><![CDATA[Custom Fader Banks]]></category>
		<category><![CDATA[digital mixer]]></category>
		<category><![CDATA[firmware update]]></category>
		<category><![CDATA[firmware v3.0]]></category>
		<category><![CDATA[Jon Graves]]></category>
		<category><![CDATA[patch matrix]]></category>
		<category><![CDATA[real-time analyser]]></category>
		<category><![CDATA[Room Tuning Wizard]]></category>
		<category><![CDATA[scenes]]></category>
		<category><![CDATA[snapshots]]></category>
		<category><![CDATA[tag distribution]]></category>
		<category><![CDATA[Technical Audio Group distribution]]></category>
		<category><![CDATA[TouchMix Control app]]></category>
		<category><![CDATA[TouchMix Series]]></category>
		<category><![CDATA[touchmix-30 pro]]></category>
		<category><![CDATA[TouchMix-30 Pro digital mixer]]></category>
		<category><![CDATA[v3.0]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=74121</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/qsc-launches-v3-firmware">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/qsc-launches-v3-firmware">QSC Launches v3 Firmware</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">Firmware update v3.0 has been announced by QSC for its highly acclaimed TouchMix-30 Pro digital mixer. The new standard for performance in a compact digital mixer, the TouchMix-30 Pro with firmware v3.0 satisfies the needs of many professionals with the addition of Scenes, Snapshots, Cue List management and offline editing functionalities.</p>
<p class="p1">Scenes provide the user with the ability to store and recall the entire mixer configuration, while Snapshots allow the user to save and recall selected settings for designated channels without affecting other mixer settings. Cue Lists select and arrange Scenes, Snapshots and audio files into a predetermined sequence for recall during a show, while offline editing provides the user with the ability to create and edit mixer configurations without the mixer being connected to Wi-Fi. <span class="Apple-converted-space"> </span></p>
<p class="p1">Previous TouchMix-30 Pro firmware updates added advanced features such as two independent 24-channel, gain-sharing Automatic Microphone Mixers, Custom Fader Banks and the capability to interface with certain third-party external motorised fader control surfaces. <span class="Apple-converted-space"> </span></p>
<p class="p1">“From the start, our vision for the TouchMix Series was to bring ‘big console’ features to users in the form of an easy-to-use, compact package,” states Jon Graves, QSC Mixer Product Manager. “These new enhancements give our users an unprecedented array of professional features, tools and functions that simply don’t exist in other products close to this price point. Plus, the ability to deliver these enhancements to existing users at no additional cost demonstrates our continued commitment to supporting and helping our customers achieve exceptional results with their QSC investment.”</p>
<p class="p1">The TouchMix-30 Pro is ideal for AV production professionals, musicians and bands with 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs for tremendous signal management flexibility. It features Class-A microphone preamplifiers, Anti-Feedback and Room Tuning Wizards, two real-time analysers (RTA), patch matrix, 32-channel direct-to-external-drive recording and DAW interface with macOS and Windows computers making the TouchMix-30 Pro equally competent as both a professional live sound and recording mixer.<span class="Apple-converted-space"> </span></p>
<p class="p1">The v3.0 firmware release is also supported by an updated TouchMix Control app for iOS and Android devices, providing further enhancements to the remote control experience.<span class="Apple-converted-space"> </span></p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/qsc-launches-v3-firmware">QSC Launches v3 Firmware</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>QSC Releases Deeply Disturbing Subwoofer</title>
		<link>https://www.audiotechnology.com/news/qsc-releases-deeply-disturbing-subwoofer</link>
					<comments>https://www.audiotechnology.com/news/qsc-releases-deeply-disturbing-subwoofer#comments</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Tue, 01 Oct 2019 02:26:01 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[PA Systems]]></category>
		<category><![CDATA[Powered Speakers]]></category>
		<category><![CDATA[QSC]]></category>
		<category><![CDATA[18-inch]]></category>
		<category><![CDATA[active speaker]]></category>
		<category><![CDATA[active subwoofer]]></category>
		<category><![CDATA[class d]]></category>
		<category><![CDATA[DSP]]></category>
		<category><![CDATA[ks118]]></category>
		<category><![CDATA[powered]]></category>
		<category><![CDATA[subwoofer]]></category>
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					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/qsc-releases-deeply-disturbing-subwoofer">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/qsc-releases-deeply-disturbing-subwoofer">QSC Releases Deeply Disturbing Subwoofer</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p>Succeeding the highly acclaimed KW181 powered subwoofer, QSC is pleased to introduce the KS118, the newest member of the KS Series subwoofer family. With its robust design, legendary QSC amplification and versatile DSP features, the KS118 is the perfect choice for mobile entertainment, AV rental, event production, clubs and performance venues.</p>
<p>Featuring a long excursion 18-inch direct radiating driver powered by a 3600 Watt Class D amplifier, the KS118 delivers high sound pressure levels with dynamic and musical sound reproduction of very low frequencies. On-board DSP optimises and protects system performance while also offering advanced capabilities such as the ability to array two units in a cardioid arrangement, maximising low frequency output in front while minimising unwanted energy around the sides and rear of the system. DEEP mode provides additional low frequency extension and driver excursion processing.</p>
<p>Highly transportable, the rugged and stylish premium birch enclosure features comfortable, aluminium handles and four, rear-mounted low-noise casters. A top-mounted M20 threaded pole receptacle accepts a 35 mm pole for easy vertical deployment with K.2 Series and other full-range loudspeakers.</p>
<p>The KS118 is the latest addition to QSC’s active subwoofer range which also includes the ultra-compact, single 12-inch KS112 and the double 12-inch cardioid KS212C which offers controlled directionality of low frequencies and is particularly suited to applications with live microphones.</p>

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</div></div></div></div><div class="aio-icon-header" ><h4 class="aio-icon-title ult-responsive"  data-ultimate-target='#Info-box-wrap-1993 .aio-icon-title'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="">CONTACT</h4></div> <!-- header --><div class="aio-icon-description ult-responsive"  data-ultimate-target='#Info-box-wrap-1993 .aio-icon-description'  data-responsive-json-new='{"font-size":"","line-height":""}'  style=""><strong>QSC:</strong> <a href="http://www.qsc.com">www.qsc.com</a><br />
<strong>Australian Distributor:</strong> <a href="http://www.tag.com.au">www.tag.com.au</a></div> <!-- description --></div> <!-- aio-icon-box --></div> <!-- aio-icon-component --></div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div>
</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/qsc-releases-deeply-disturbing-subwoofer">QSC Releases Deeply Disturbing Subwoofer</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Review: QSC CP Series Powered Loudspeakers</title>
		<link>https://www.audiotechnology.com/reviews/qsc-cp-series-powered-loudspeakers</link>
					<comments>https://www.audiotechnology.com/reviews/qsc-cp-series-powered-loudspeakers#comments</comments>
		
		<dc:creator><![CDATA[Mark Woods]]></dc:creator>
		<pubDate>Tue, 06 Nov 2018 22:00:00 +0000</pubDate>
				<category><![CDATA[Issue 54]]></category>
		<category><![CDATA[QSC]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[cp]]></category>
		<category><![CDATA[CP series]]></category>
		<category><![CDATA[cp12]]></category>
		<category><![CDATA[issue]]></category>
		<category><![CDATA[K-Series]]></category>
		<category><![CDATA[live sound]]></category>
		<category><![CDATA[loudspeakers]]></category>
		<category><![CDATA[mark woods]]></category>
		<category><![CDATA[PA]]></category>
		<category><![CDATA[portable]]></category>
		<category><![CDATA[powered]]></category>
		<category><![CDATA[powered speakers]]></category>
		<category><![CDATA[series]]></category>
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					<description><![CDATA[<p> [...]</p>
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<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/qsc-cp-series-powered-loudspeakers">Review: QSC CP Series Powered Loudspeakers</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p>It’s coming up to a decade since QSC’s original K series burst onto the scene with an impressive array of features that changed expectations for portable speakers. The coherent sound quality was the immediate attraction. Solo artists and small groups playing acoustic instruments took to them first, but their appeal quickly spread as their punchy bass response and ample DSP-controlled power worked well for pumped-up music playback, too. The packaging was equally good with distinctive professional looks, flexible and mixable inputs, good handles and the best tote bags. They were clean, loud and indestructible; a good combination.</p>
<p>In 2016, they got even better. The totally reworked K.2 Series replaced the K Series. The cabinets were still made from polypropylene but more solidly constructed; the updated 2kW amps and improved drivers made the sound bigger and louder; and the introduction of an LED screen really enhanced the user’s control. The top of the line QSC KW Series features a texture-painted 15mm birch cabinet for ruggedness and the deadening benefits of the wood.</p>
<h4><strong>CP: COST VS PERFORMANCE</strong></h4>
<p>In the realm of powered boxes, the K and KW series sound great, but they are relatively up-market. Could a cheaper QSC speaker shake up the market like the K did a decade ago? With QSC’s reputation established, the new CP Series looks to broaden the brand’s appeal with prices well below the AU$1k barrier. It positions them at about half the cost of the QSC KWs, and two-thirds of the K.2 Series. It also puts them right in the middle of a crowded field of big-name competitors.</p>
<p>It’s not much of a series at the moment. There are only two models, the diminutive CP8 and the average-sized CP12. They both get a new 1000W (peak) amp controlled by the same DSP that plays a big part in the sound of all QSC speakers by controlling the overall voicing, presets and dynamic behaviour. Proven technical features are also shared. Directivity Matched Transition (DMT) synchronises the HF and LF drivers to deliver an even frequency response across the listening area. Intrinsic Correction is a multi-band limiter that keeps the speakers tidy at high levels as well as providing effective overall limiting and overload protection. On the odd occasion, my pair of K10s have taken beyond normal abuse — screaming vocals, kick drums forced into them and cranked as loud as they’ll go — and they don’t complain or stop.</p>
<p>The CP12 looks like a QSC, with its familiar concave front and perforated steel grille. It’s a more compact design, with the horn offset from the centre and the port moved up beside it to save space. It makes the new CP12 about the same size as the old K10. It’s also 5kg lighter than the original K12, at just 13.7kg. The smaller CP8 is only 9.5kg… that’s very light.</p>
<p>There are some noticeable cost-cutting differences. On close inspection, the finish on the CP Series polypropylene cabinets is a bit rough and uneven, making them look like cheaper speakers when compared to the smoother impact-resistant ABS finish used on the K Series. The top handle is good but the moulded half-handle on the side is not much use.</p>

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			<h4 style="text-align: center;"><strong>NEED TO KNOW</strong></h4>

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<div class="uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin   "><ul class="uavc-list"><li><div class="uavc-list-content" id="list-icon-wrap-5011">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-dollar usd"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-5011 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PRICE</b></p>
<p>CP8: $749<br />
CP12: $949</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-1812">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-phone"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-1812 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONTACT</b></p>
<p>Jands:<br />
(02) 9582 0909 or<br />
<a href="mailto:info@jands.com.au">info@jands.com.au</a></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-4621">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-check"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-4621 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PROS</b></p>
<p>Sound quality<br />
Conical horn<br />
Small &amp; light<br />
Best bags</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-3070">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-close remove times"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-3070 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONS</b></p>
<p>Mix out only, no thru<br />
Limited user controls</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-3737">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-stack-exchange"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-3737 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>SUMMARY</b></p>
<p>QSC’s K series altered what we expect from portable speakers. The CP series delivers that QSC sound for less; dropping a few external accoutrements like LCD screens, but keeping a lot of QSC’s DSP smarts inside. The CP series boxes are also smaller and lighter than their K siblings, but have the same rugged bags, making them winners on the portable scene.</span></div></li></ul></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h4><strong>JACK’S AROUND BACK</strong></h4>
<p>The rear panel harks back to the simplicity of the original K Series; all knobs and switches, no fancy screen or advanced user options. The presets are selected via a single six-position rotary knob with printed descriptions of the suggested applications. Connections include two combo XLR/jack inputs with gain knobs. Channel 2 has a sunken Mic Boost switch, which helps limit the number of times you accidentally engage 25dB of gain when you don’t want it. Another small saving is the single, post-gain mix out socket, QSC’s more expensive series get additional thru outputs beside each input for greater routing flexibility.</p>
<p>The other way to get signal in is via the increasingly common mini-jack (3.5mm) socket that’s trying to replace the once ubiquitous pair of RCAs. I was first pitched the benefits of mini-jacks by another manufacturer. It was sold as an alternative to Bluetooth. Knowing what the wireless connection does to the already compressed bits of digital fluff that pass for audio files these day. They figured it would better if users plugged their phones in so the speakers wouldn’t get blamed for the poor quality audio. In practise, it’s not that simple. Firstly, normal headphone sockets are not a great interface, either physically or electrically. Then there’s the inconvenient fact a leading brand of mobile phone hasn’t got a headphone socket anymore, so you’re restricted to using Bluetooth anyway.</p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1610588588672"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-open" ></i></div><div class="icon_description" id="Info-list-wrap-8988" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-8988 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div><h2 style="text-align: left;font-family:Playfair Display;font-weight:700;font-style:normal" class="vc_custom_heading" >The power and the DSP combine to ensure they’ll run loud on stage but remain stable without needing external EQ</h2><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1610588603972"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-close" ></i></div><div class="icon_description" id="Info-list-wrap-3346" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-3346 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div></div></div></div></div><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid vc_custom_1595296124081 vc_row-has-fill"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner vc_custom_1595990674300"><div class="wpb_wrapper"><div id="bsa-block-970--450" class="bsaProContainerNew bsaProContainer-86 bsa-block-970--450 bsa-pro-col-1" style="display: block !important"><div class="bsaProItems bsaGridNoGutter " style="background-color:"><div class="bsaProItem bsaReset" data-animation="fadeIn" style=""><div class="bsaProItemInner" style="background-color:"><div class="bsaProItemInner__thumb"><div class="bsaProAnimateThumb" style="display: block;margin: auto;"><a class="bsaProItem__url" href="https://www.audiotechnology.com/advertise?sid=86&bsa_pro_id=845&bsa_pro_url=1" target="_blank"><div class="bsaProItemInner__img" style="background-image: url(&#39;https://www.audiotechnology.com/wp-content/uploads/bsa-pro-upload/1697064227-Meyer_Panther_DA-pichi.jpg&#39;)"></div></a></div></div></div></div></div></div><script>
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			<h4><strong>THAT QSC SOUND</strong></h4>
<p>First impressions of the sound of the CP Series are positive and the overall voicing has a familiar, appealing QSC sound with no obvious shortcomings. The first time I used the CP12 was on a stage as a floor monitor. I had it positioned right beside an original K10 and I couldn’t hear any difference. Once I got to know the CP series and compared them directly to the originals I could hear some differences, and those differences would be magnified in a comparison with the K.2 Series, but I had to look for them.</p>
<p>The CP Series is all new with presumably cheaper drivers and while the 1.4-inch compression driver and flare is still smooth across the upper-mid vocal range it’s a little grainy in the higher frequencies by comparison and more likely to emphasise sibilance than the original. The mids seem a little peaky around 400Hz but it could be cabinet resonance rather than the driver, the cabinet makes a distinct note in that region if you tap it in the right place on the side.</p>
<p>In use the Default setting delivers a normal balanced frequency response suitable for FOH or general music playback. The presets are minimal but do more than they let on. Monitor setting is straightforward and cuts the low frequencies where they would otherwise combine with reflections from the stage to cause muddiness. The Speech setting is more interesting. The original K Series has a Vocal Boost switch that boosts the high-mids, but there’s no equivalent on the CP Series. Instead, the Speech setting has been designed to eliminate microphone feedback close to the speaker. It’s done with what QSC describe as smart EQ filters that reduce the offending frequencies without taking too much of the rest of the sound with them and seems to be aimed at DJs talking over the music or between tracks. Instead of any boost it sounds slightly scooped around 2kHz but it’s effective at reducing feedback, even with an open mic right in front of the horn. Thoughtfully, the Speech setting only works on Channel 2 (with the 25dB mic boost button), leaving Channel 1 on the Default setting.</p>

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			<p>The Dance setting boosts the low frequencies and adds some high-mids and highs for some bass-heavy, party-time sounds although the extra bass EQ does limit the overall volume. You may require a sub depending on the environment of the dance party. A lack of fine control or advanced functions like delay or detailed EQ options won’t be missed by casual users. Operating the speakers is kept simple, and eliminating the LCD screens stops errant settings from being hidden in menus.</p>
<p>Music playback was my favourite application for these and they’re ideal party speakers; easy to use and they won’t overload. As a small FOH setup they’ll fill a room with strong, clear vocals and have a useful amount of LF grunt (the CP12’s LF response is quoted at a respectable -6dB at 49Hz) even when mounted on stands. They can also be yoke mounted for installations or flown from integral M10 installation points.</p>
<p>Portable speakers are a handy size for floor monitor duties and often get the call. Typically I’d say they should have rotatable horns to avoid the compromise of the narrow horizontal throw of a speaker laid on its side. However, the CP series has a 75-degree conical throw horn, so it provides even coverage over a wide enough area for the job, and wouldn’t make any difference if it was rotatable. The power and the DSP combine to ensure they’ll run loud on stage but remain stable without needing external EQ. That combination of conical horn and stable power makes them easy to use in a hurry if you decide to throw one on stage at the last minute.</p>
<p>Both Default and Dance presets offer versions of their settings with an 80Hz crossover if they’re being used with a separate subwoofer. There’s no specific CP series subs, but the newly released QSC KS112 single 12-inch 1000W sub is a good match power-wise and it’s suitably compact. The equally new KS212C dual 12-inch 3600W cardioid sub is probably over the top.</p>
<h4><strong>MEASURED AGAINST THE BENCHMARK</strong></h4>
<p>The QSC K10 tote bags are my benchmark for tote bags and the CP Series gets the same. Proper canvas with strong handles and easy to get the speakers in and out. The worst I’ve done to mine in nearly 10 years is get them dirty. I’ve had cheaper polyester bags supplied with other brand speakers that have ripped in a matter of months.</p>
<p>There’s a lot of products in this popular price range but the QSC CP Series speakers will compete with their high output-to-weight ratio, versatility and sound quality. QSC’s reputation will be maintained and more people will hear its products. The CP Series offers good value but the only slight worry I have is the gap between the price of the CP Series and the K.2 Series is maybe less than the gap between the performance. They couldn’t make the CPs sound as good as the K.2s I know but the K.2 series speakers are exceptionally good and available for just a little bit more money. A budget is a budget though and if you’ve got a limited one, then it’s now likely enough to get you some of that renowned QSC sound.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="518" height="768" src="https://www.audiotechnology.com/wp-content/uploads/2018/11/CP12_Rear.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="CP12_Rear" fetchpriority="high" /></div><figcaption class="vc_figure-caption">QSC CP12 Rear</figcaption>
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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/qsc-cp-series-powered-loudspeakers">Review: QSC CP Series Powered Loudspeakers</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>NEW QSC CP Series Powered Loudspeakers</title>
		<link>https://www.audiotechnology.com/news/new-qsc-cp-series-powered-loudspeakers</link>
					<comments>https://www.audiotechnology.com/news/new-qsc-cp-series-powered-loudspeakers#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Sun, 30 Sep 2018 14:00:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[QSC]]></category>
		<category><![CDATA[avtice]]></category>
		<category><![CDATA[compact]]></category>
		<category><![CDATA[cp]]></category>
		<category><![CDATA[cp12]]></category>
		<category><![CDATA[cp8]]></category>
		<category><![CDATA[DSP]]></category>
		<category><![CDATA[eight inch]]></category>
		<category><![CDATA[floor]]></category>
		<category><![CDATA[install]]></category>
		<category><![CDATA[lightweight]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[loudspeaker]]></category>
		<category><![CDATA[Monitor]]></category>
		<category><![CDATA[mount]]></category>
		<category><![CDATA[portable]]></category>
		<category><![CDATA[series]]></category>
		<category><![CDATA[sound]]></category>
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<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/new-qsc-cp-series-powered-loudspeakers">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/new-qsc-cp-series-powered-loudspeakers">NEW QSC CP Series Powered Loudspeakers</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p class="p1">QSC introduces the CP Series of powered loudspeakers combining an ultra-compact form factor with light weight to offer easy transport and deployment in both portable and installed applications.</p>
<p class="p1">The CP Series is comprised of two two-way models, the CP8 and CP12. Both models feature a highly efficient 1000W Class-D power module, one-touch preset DSP contours for the most common sound reinforcement applications, and line, mic/line and 3.5mm stereo inputs. Each can also be pole-mounted, utilised as a floor monitor, or deployed in a fixed or temporary installation. Available accessories include carrying tote, outdoor cover and quick-connect yoke mount.</p>
<p class="p1">“QSC is known the world-over for delivering quality, high performance products for professional use,” states QSC David Fuller, Sr. Director, Product Development. “The ability to deliver that same value proposition to a far broader range of customers is a remarkable achievement for our teams.” Fuller adds, “Likewise, CP offers an incredible introduction to the QSC brand for first-time buyers, as well as a long sought-after QSC solution for commercial customers.”</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/new-qsc-cp-series-powered-loudspeakers">NEW QSC CP Series Powered Loudspeakers</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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