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	<title>Large Diaphragm Condensers Archives &mdash; AudioTechnology</title>
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	<title>Large Diaphragm Condensers Archives &mdash; AudioTechnology</title>
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		<title>RØDE Releases a New Edition of the Iconic NT1</title>
		<link>https://www.audiotechnology.com/by-brand/rode/rode-releases-a-new-edition-of-the-iconic-nt1</link>
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		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Tue, 07 Nov 2023 03:21:11 +0000</pubDate>
				<category><![CDATA[Large Diaphragm Condensers]]></category>
		<category><![CDATA[RØDE]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[nt1]]></category>
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<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/rode/rode-releases-a-new-edition-of-the-iconic-nt1">RØDE Releases a New Edition of the Iconic NT1</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p>The NT1 Signature Series is the latest edition of RØDE’s iconic original studio condenser microphone. With over 6 million units sold in its 30-year history, the NT1 is the world’s most popular studio microphone, beloved by everyone from bedroom musicians and studio professionals to podcasters, streamers, voice-over artists and content creators. The NT1 Signature Series arrives hot on the heels of the NT1 5th Generation, which fused the classic sound signature of the NT1 with cutting-edge technology, such as its world-first Dual Connect output for both XLR and USB connectivity, a 32-bit float digital output, and on-board DSP. With the 5th Generation, the analogue circuitry of the NT1 was also upgraded to deliver lower noise, higher SPL handling capabilities, an extremely smooth frequency response and a tightly controlled pickup pattern.</p>
<p>Now the NT1 Signature Series joins the NT1 5th Generation in RØDE’s current NT1 range, offering these same high-performance specs and the classic NT1 sound signature, with the original XLR-only design of previous generations. Offering exceptional sound quality, best-in-class specifications, legendary RØDE build quality and incredible affordability, the NT1 Signature Series affirms the NT1 as the industry-standard studio condenser microphone. For the first time ever, the NT1 Signature Series also offers the NT1 in a range of limited-edition colours including red, green, purple, pink and blue, allowing creators to express their signature style in both sound and colour.</p>
<p><strong>KEY FEATURES OF THE NT1 SIGNATURE SERIES:</strong></p>
<ul>
<li>RØDE HF6 large-diaphragm (1-inch) condenser capsule, precision engineered to sub-micron tolerances</li>
<li>Tight cardioid polar pattern for excellent background noise rejection</li>
<li>Classic NT1 sound signature – rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications</li>
<li>Smooth frequency response and high sensitivity for incredible balance and clarity Extremely low noise (4dBA) – the world’s quietest studio condenser microphone</li>
<li>High SPL handling capabilities for capturing very loud sounds</li>
</ul>
<p>Studio-grade shock mount and pop filter, premium XLR cable included</p>
<ul>
<li>Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue</li>
<li>Rugged aluminium body and high-grade finishes – highly resistant to scuffs and scratches</li>
<li>Industry-leading 10-year warranty</li>
<li>Designed and made in RØDE’s precision manufacturing facilities in Sydney, Australia</li>
</ul>
<p><strong>THE WORLD’S MOST POPULAR STUDIO MICROPHONE</strong></p>
<p>First released in 1991, the NT1 was RØDE’s very first microphone. Conceived in a pivotal era for home musicians where new technologies were making it easier than ever to capture studio-quality recordings in a bedroom, the NT1 quickly became the industry-standard studio mic for a new generation of DIY creators. Since then, the NT1 has gone through multiple transformations, including the legendary NT1-A, the best-selling fourth generation black NT1, and most recently, the ground-breaking NT1 5th Generation. The NT1 Signature Series carries on the legacy of this iconic microphone, delivering the same quality and affordability that creators have come to expect from an NT1, with improved performance and a fresh aesthetic. Say hello to the new industry-standard studio mic.</p>
<p><strong>CLASSIC STUDIO SOUND FOR TODAY’S CREATORS </strong></p>
<p>The NT1 Signature Series offers the same warm, silky character that has made the NT1 the go-to microphone for everyone from musicians to voice over artists, podcasters, streamers, and other content creators. It features RØDE’s stunning HF6 capsule, which is precision engineered to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response, and is internally shock-mounted for minimising vibrations. Delivering rich, warm bass, a detailed midrange and sparkling top end, it is an exceptional vocal mic that will make any voice shine. It also performs brilliantly in a wide range of studio applications, from recording acoustic guitar, percussion and other acoustic instruments, to drums, electric guitar and piano. Its tight cardioid polar pattern offers excellent rejection of background noise and its smooth frequency response and high sensitivity offer incredible balance and clarity. Enhanced circuitry delivers high SPL handling capabilities for maximum flexibility in the studio and an astonishingly low self-noise of just 4dBA, making it the world’s quietest studio condenser microphone alongside the NT1 5th Generation.</p>
<p><strong>SIGNATURE SOUND AND SIGNATURE STYLE </strong></p>
<p>In addition to black, the NT1 Signature Series comes in a range of vibrant colours, including red, green, purple, pink and blue. This is the first time the NT1 has been available in colours other than the classic black or silver, allowing creators to pick the perfect mic to match their signature style. This coloured range will be available in limited quantities exclusively from RØDE.  The NT1 Signature Series is made from premium components in RØDE’s precision manufacturing facilities in Sydney, Australia, and is backed by RØDE’s industry-leading 10-year warranty. Each microphone also comes with a studio-grade shock mount and pop filter and a premium XLR cable.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/rode/rode-releases-a-new-edition-of-the-iconic-nt1">RØDE Releases a New Edition of the Iconic NT1</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Teenage Engineering CM–15</title>
		<link>https://www.audiotechnology.com/news/teenage-engineering-cm-15</link>
					<comments>https://www.audiotechnology.com/news/teenage-engineering-cm-15#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Fri, 28 Apr 2023 02:36:39 +0000</pubDate>
				<category><![CDATA[Large Diaphragm Condensers]]></category>
		<category><![CDATA[Microphones]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Teenage Engineering]]></category>
		<category><![CDATA[CM–15]]></category>
		<category><![CDATA[ESS Sabre]]></category>
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		<category><![CDATA[innovative music distribution]]></category>
		<category><![CDATA[large diaphragm capsule]]></category>
		<category><![CDATA[large-diaphragm condenser capsule]]></category>
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		<category><![CDATA[Supercardioid]]></category>
		<category><![CDATA[ultra-portable microphone]]></category>
		<category><![CDATA[usb-c]]></category>
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					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/teenage-engineering-cm-15">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/teenage-engineering-cm-15">Teenage Engineering CM–15</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p class="p1">The CM–15 is the latest addition to Teenage Engineering’s Field System — the ultra-portable sound recording and performance system. Compatible with iOS, macOS, and Windows, it is a versatile studio quality, ultra-portable microphone that comes with a built-in professional USB-C audio interface with built-in preamp. Add a 3.5mm jack and a 48V phantom powered mini XLR and you have a truly one-of-a-kind battery-powered studio microphone that’s rechargeable via USB-C, and with full interconnectivity (MIDI and high resolution audio).</p>
<p class="p1"><b>Lean, Mean &amp; Clean Mic-Machine</b></p>
<p class="p1">Large-diaphragm capsules are preferred for professional recording, but are rare within the world of portable equipment. CM–15 features an ESS Sabre analog-to-digital converter, preserving high-fidelity sound and capturing exceptional detail in any recording situation. The mic offers clean, rich, transparent and natural sound. Use the gain switch on the back for padding those mean drums, or the other way around. Battery-powered with an integrated audio interface and preamp, CM–15 is always ready to use.</p>
<p class="p1">Teenage Engineering’s first microphone also means a unique sound quality to discover. Rich, transparent and natural, CM–15 captures clear and clean sound for professional audio productions, always ready to set up wherever you like to record. CM–15 is an incredibly versatile microphone, both inside and outside the studio. The large-diaphragm condenser capsule essentially means you get a better signal, so there is less noise and better depth of sound.</p>
<p class="p1"><b>Vocal Recording: </b>As a directional mic, CM–15 is perfect for the vocal booth, focused on picking up sounds in front of it.<br />
<b>Instrument Recording: </b>With the the flattest frequency response at a 50cm distance, CM–15 is perfect for capturing a variety of instruments, including your drum kit.<br />
<b>Interview/Podcast: </b>CM–15 is great for podcasts and interviews, where high audio quality and portability is necessary.<br />
<b>Field Production: </b>With a compact form factor and 10-hour rechargeable battery, it&#8217;s a great tool for every ’trip’.<br />
<b>Camera Mic: </b>When filming with a video camera, connect CM–15 through the line out to record synced audio directly.</p>
<p class="p1"><b>Multi-Use Connectivity</b></p>
<p class="p1">CM–15 has multiple outputs that can be used simultaneously — mini XLR, 3.5mm jack, and USB-C. It can also be powered three ways, through phantom power, battery, or USB-C, instantly detecting the right power source for your connected device. CM–15 also includes a standard 1/4-inch and 3/8-inch adapter, making it universally compatible with standard mic stands and tripods</p>
<p class="p1">The included adapter allows for a 90° to 110° tilt, so you can mount the mic onto a boom arm or to better record overheads. Use tripod mini for portable setups (available separately)</p>
<p class="p1">On the bottom side of CM–15 you will find three audio outputs — mini XLR, 3.5mm jack and USB-C. The built in table stand can be used to rest and angle the microphone on a surface. The mic also includes a mini XLR to XLR cable for connecting to your recording console. The 3.5mm jack can be used with headphones, while USB-C is used for digital audio interface connection, firmware updates, and charging.</p>
<p class="p1"><b>Highlights:</b></p>
<ul>
<li class="p1">1-inch large-diaphragm capsule</li>
<li class="p1">10 hour rechargeable battery</li>
<li class="p1">48V phantom power compatible pseudo-balanced mini XLR output</li>
<li class="p1">Dual mono 3.5mm jack line output</li>
<li class="p1">USB-C class compliant device with high performance<span class="Apple-converted-space"> </span></li>
<li class="p1">ESS Sabre ES9822Q PRO analog to digital converter</li>
</ul>
<p class="p1"><b>Audio Characteristics</b></p>
<p class="p1">Self noise: 14 dBA<br />
Max SPL for 0.5% THD: 138 dB<br />
USB SNR dBA FS: 120 dB<br />
Polar Pattern: Supercardioid<br />
Polarity: Positive</p>
<p class="p1"><b>Dimensions &amp; Weight</b></p>
<ul>
<li class="p1">90mm x 65.5mm x 19mm</li>
<li class="p1">132g / 54.6oz</li>
</ul>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/teenage-engineering-cm-15">Teenage Engineering CM–15</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>RØDE NT1: Introducing The 5th Generation</title>
		<link>https://www.audiotechnology.com/news/rode-nt1-introducing-the-5th-generation</link>
					<comments>https://www.audiotechnology.com/news/rode-nt1-introducing-the-5th-generation#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Tue, 21 Feb 2023 00:00:44 +0000</pubDate>
				<category><![CDATA[Audio interface]]></category>
		<category><![CDATA[Large Diaphragm Condensers]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[RØDE]]></category>
		<category><![CDATA[USB Microphones]]></category>
		<category><![CDATA[32-bit float digital output]]></category>
		<category><![CDATA[5th generation NT1]]></category>
		<category><![CDATA[APHEX audio processing]]></category>
		<category><![CDATA[Aural Exciter and Big Bottom effects]]></category>
		<category><![CDATA[Aural Exciter effect]]></category>
		<category><![CDATA[Big Bottom effect]]></category>
		<category><![CDATA[damien wilson]]></category>
		<category><![CDATA[Dual Connect output]]></category>
		<category><![CDATA[HF6 capsule]]></category>
		<category><![CDATA[nt1]]></category>
		<category><![CDATA[patent-pending Dual Connect]]></category>
		<category><![CDATA[Revolution Preamp]]></category>
		<category><![CDATA[Rode]]></category>
		<category><![CDATA[RØDE HF6 capsule]]></category>
		<category><![CDATA[RØDE NT1]]></category>
		<category><![CDATA[RØDE’s custom ASIO driver]]></category>
		<category><![CDATA[studio condenser microphone]]></category>
		<category><![CDATA[VoxLab editor]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=74015</guid>

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<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/rode-nt1-introducing-the-5th-generation">RØDE NT1: Introducing The 5th Generation</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">RØDE has today announced the NT1 5th Generation, a revolutionary studio condenser microphone that fuses the classic sound of the iconic RØDE NT1 with new, cutting-edge technology. With over six million units sold, the NT1 is the world’s most popular studio microphone and boasts a legacy that few can match. Since its release more than 30 years ago, the microphone has gone through multiple transformations, including the legendary NT1-A and innovative fourth generation NT1, both of which are used by countless creators today. The NT1 5th Generation is the most significant evolution yet, harnessing the iconic sound quality and world-class performance that made the previous generations so successful while introducing state-of-the-art technology, including RØDE’s groundbreaking, patent-pending Dual Connect output offering both XLR and USB connectivity, a world-first “unclippable” 32-bit float digital output, advanced digital signal processing, and so much more. A perfect marriage of tradition and innovation, this is the ultimate studio microphone.</p>
<p class="p1"><b>Key Features Of The Nt1 5Th Generation:</b></p>
<ul>
<li class="p1">HF6 large-diaphragm (1-inch) gold-sputtered capsule, precision engineered to sub-micron tolerances</li>
<li class="p1">Smooth frequency response, high sensitivity and high SPL handling for incredible performance in a wide range of studio applications</li>
<li class="p1">Exceptionally low noise (4dBA) — the world’s quietest studio condenser microphone</li>
<li class="p1">Patent-pending Dual Connect output with both XLR and USB-C connectivity for use with audio interfaces, mixers and consoles, or direct plug-and-play recording with a computer <span class="Apple-converted-space"> </span></li>
<li class="p1">World-first 32-bit float digital output</li>
<li class="p1">Ultra-high-resolution (up to 192kHz) analog-to-digital conversion</li>
<li class="p1">On-board DSP for advanced APHEX audio processing, including a compressor, noise gate, two-step high-pass filter, and legendary Aural Exciter and Big Bottom effects</li>
<li class="p1">Studio-grade shock mount and pop filter, XLR and USB cables included</li>
<li class="p1">Available in black or silver with a rugged aluminium body and high-grade finishes — highly resistant to scuffs and scratches</li>
<li class="p1">Designed and made in RØDE’s precision manufacturing facilities in Sydney, Australia</li>
</ul>
<p class="p1"><b>The World’s Most Popular Studio Microphone</b></p>
<p class="p1">Introduced in 1991, the NT1 was RØDE’s debut microphone — the first in a long line of products that have reshaped the way creators across every discipline capture audio. Released at a time where new advancements in audio technology democratised the studio workflow and made recording more accessible than ever before, it was an instant success and fast became the go-to microphone for a new generation of DIY musicians and studio professionals alike. Over the last three decades, it has continued to be the best-selling studio condenser worldwide, beloved for its warm, classic sound signature and incredible versatility.</p>
<p class="p1">“The NT1 is not only our flagship microphone, it’s an icon for today’s creative generation,” says RØDE CEO Damien Wilson. “Countless musicians, podcasters, streamers, broadcasters and content creators consider it their go-to microphone, and for good reason — it sounds incredible, is extremely flexible, and is built like a tank — a true studio workhorse. With this new generation, we wanted to preserve all of these qualities while incorporating innovations that have never been seen before in a microphone like this. The NT1 5th Generation is unlike any studio mic out there, but it hasn’t lost its charm and is sure to continue inspiring creators for decades to come.”</p>
<p class="p1">The NT1 5th Generation is a large-diaphragm condenser microphone that delivers exceptional performance in a wide range of studio applications. It features RØDE’s stunning HF6 capsule — first introduced in the fourth generation NT1 — which delivers sparkling top end, detailed midrange and rich bass that makes every sound source shine. It has a tight cardioid polar pattern, smooth frequency response, and high sensitivity for incredible versatility — ideal for recording everything from vocals and speech to acoustic and electric guitar, drums and percussion, piano, and more. Enhanced circuitry delivers an astonishingly low 4dBA of self-noise, making it the world’s quietest studio condenser microphone, and it features high SPL handling capabilities for maximum flexibility in the studio. These characteristics alone make the NT1 5th Generation a world-class microphone, but this is only half the story.</p>
<p class="p1"><b>Game-Changing Connectivity</b></p>
<p class="p1">For over 50 years, the XLR connector has remained virtually unchanged — until now. The NT1 5th Generation features RØDE’s groundbreaking, patent-pending Dual Connect output, which offers both XLR and USB connectivity in the same housing. This allows users to connect to an audio interface, mixer, console or other audio equipment via XLR for a traditional analog workflow or directly to a computer via USB for plug-and-play recording.</p>
<p class="p1">When using the analog output, the NT1 5th Generation delivers the exact same rich, warm tone and best-in-class performance that the NT1 is revered for. When using the digital output, these sonic characteristics are maintained, with the added convenience, power and versatility of direct USB connectivity. The NT1 5th Generation features a professional-grade audio interface built into the microphone. This is perfectly optimised to preserve its pristine audio fidelity and also offers a range of highly innovative features to further enhance its sound, making capturing studio-quality audio easier than ever before.</p>
<p class="p1"><b>The Unclippable Microphone</b></p>
<p class="p1">The NT1 5th Generation is the world’s first microphone to feature a 32-bit float digital output. This revolutionary audio format captures the full dynamic range of the microphone while allowing users recording in a DAW to adjust their audio to the optimal level after recording. This means users can record anything from a whisper to a scream without worrying about setting their gain correctly beforehand and with no chance of their signal clipping.</p>
<p class="p1">“The NT1 5th Generation redefines the meaning of plug-and-play,” says Damien Wilson. “Since the beginning of audio recording, engineers have relied on the gain knob to capture clean audio — it’s always been the most important process in the recording workflow. The NT1 5th Generation changes that completely. When recording in 32-bit float, users can literally plug their microphone into their computer and start recording instantly without any risk of their audio being ruined by clipping or distortion.”</p>
<p class="p1"><b>Classic Sound On The Cutting Edge</b></p>
<p class="p1">The NT1 5th Generation’s digital output also features RØDE’s ultra-low-noise, high-gain Revolution Preamp and ultra-high-resolution analog-to-digital conversion (up to 192kHz) for ultimate sonic purity. Powerful on-board DSP allows users to apply advanced APHEX audio processing to their recordings, including a compressor, noise gate, two-step high-pass filter, and legendary Aural Exciter and Big Bottom effects. Accessible via RØDE’s free companion apps, RØDE Central and RØDE Connect, there are two different processing modes available: the intuitive VoxLab editor with simple controls for Depth, Sparkle and Punch, making it incredibly easy to dial in the perfect sound, or an advanced editor, which offers granular control over every parameter for fine-tuned processing. Users can connect up to eight NT1 5th Generation microphones to a single computer for multitrack recording, even on Windows operating systems using RØDE’s custom ASIO driver. This is so much more than just a studio condenser microphone, it&#8217;s an all-in-one digital recording solution.</p>
<p class="p1"><b>Legendary RØDE Quality</b></p>
<p class="p1">To make getting set up and recording as easy as possible, the NT1 5th Generation comes with a studio-grade shock mount and pop filter as well as a high-quality XLR and USB cable. Each microphone is built to the highest standard in RØDE’s state-of-the-art facilities in Sydney, Australia using premium components. The HF6 capsule is precision manufactured to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response, and is internally shock-mounted for minimising external vibrations. The microphone body is machined from rugged aluminium and is available in black or silver, with high-grade finishes that are extremely resistant to scuffs and scratches. The NT1 5th Generation is also backed by a 10-year warranty and RØDE’s legendary customer service.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/rode-nt1-introducing-the-5th-generation">RØDE NT1: Introducing The 5th Generation</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Universal Audio Ships Sphere DLX &#038; LX Mics</title>
		<link>https://www.audiotechnology.com/news/universal-audio-ships-sphere-dlx-lx-mics</link>
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		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Fri, 13 Jan 2023 02:07:01 +0000</pubDate>
				<category><![CDATA[Large Diaphragm Condensers]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Universal Audio]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=73625</guid>

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			<p class="p1">Universal Audio, a worldwide leader in audio production tools — including Apollo and Volt audio interfaces, UAD plugins, UA mics, and UAFX guitar products — is proud to announce that the UA Sphere DLX and Sphere LX microphones are now shipping worldwide. UA Sphere mics allow users to change mic type, polar pattern, and other characteristics even after tracking. Each UA Sphere condenser features models of classic mics from Neumann, Telefunken, AKG, Sony, and more, with Dual Mode for blended mic combinations, Realtime UAD Processing for low-latency recording with Apollo interfaces, and included presets for getting pro sound quickly.</p>
<p class="p1">Alongside the launch of the Standard Series and UA Bock microphones, UA also brought on modelling guru Chris Townsend to align UA&#8217;s market-leading UAD plugin platform with an all-new class of digital modelling microphones. &#8220;With our expertise in analog modelling for our UAD plugin platform and Chris’ pedigree in capturing the sound of sought-after vintage studio mics, we knew we were on to something special,&#8221; said Bill Putnam Jr., CEO/Founder of Universal Audio. &#8220;With the addition of new UA Sphere models to our mic line, we can inspire even more creators with legendary sound.”</p>
<p class="p1">The UA Sphere DLX features emulations of 38 classic studio mics, while the UA Sphere LX offers 20 mic models in a smaller package. Each features IsoSphere technology for reducing room coloration, along with gold-sputtered diaphragms and the lowest noise of any mic in its respective class.</p>
<p class="p1"><b>Sphere DLX<br />
</b>US$1499</p>
<p class="p1">Key Features:</p>
<ul>
<li class="p1">Record with 38 sought-after ribbon, condenser, and dynamic microphones — with mic models of Neumann, Telefunken, AKG, Sony, and more</li>
<li class="p1">Change mic type, polar pattern, and other characteristics, even after tracking with any interface, in any DAW</li>
<li class="p1">Record or monitor through modelled mics with near-zero latency using Apollo interfaces</li>
<li class="p1">Capture acoustic guitars, drum overheads, and more in stereo with a single mic</li>
<li class="p1">Easily tame room coloration for cleaner, more professional recordings using IsoSphere presets tailored for bedroom studios and popular isolation filters</li>
<li class="p1">Includes shockmount, mic stand mount, 25-foot cable, and carrying case</li>
</ul>

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			<p class="p1"><b>Sphere LX<br />
</b>US$999</p>
<p class="p1">Key Features:</p>
<ul>
<li class="p1">Record with 20 sought-after ribbon, condenser, and dynamic microphones — with mic models of Neumann, Telefunken, AKG, Sony, and more</li>
<li class="p1">Change mic type, polar pattern, and other characteristics, even after tracking with any interface, in any DAW</li>
<li class="p1">Record or monitor through modelled mics with near-zero latency using Apollo interfaces</li>
<li class="p1">Add the ultimate modelling mic to your collection, with dual gold-sputtered diaphragms and the lowest noise of any mic in its class</li>
<li class="p1">Runs in all major DAWs that support AU, VST3, and AAX formats</li>
<li class="p1">Includes, mic stand mount, 10-foot cable, and carrying case</li>
</ul>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/universal-audio-ships-sphere-dlx-lx-mics">Universal Audio Ships Sphere DLX &#038; LX Mics</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Black Is Back</title>
		<link>https://www.audiotechnology.com/news/black-is-back</link>
					<comments>https://www.audiotechnology.com/news/black-is-back#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Thu, 20 Oct 2022 02:51:45 +0000</pubDate>
				<category><![CDATA[Large Diaphragm Condensers]]></category>
		<category><![CDATA[Microphones]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Darrell Thorp]]></category>
		<category><![CDATA[Empire Central]]></category>
		<category><![CDATA[FET condenser]]></category>
		<category><![CDATA[foo fighters]]></category>
		<category><![CDATA[greg wells]]></category>
		<category><![CDATA[Innovative Distribution]]></category>
		<category><![CDATA[innovative music]]></category>
		<category><![CDATA[LA-120]]></category>
		<category><![CDATA[LA-220]]></category>
		<category><![CDATA[LA-320]]></category>
		<category><![CDATA[lauten audio]]></category>
		<category><![CDATA[Lauten microphones]]></category>
		<category><![CDATA[Medicine at Midnight]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[snarky puppy]]></category>
		<category><![CDATA[transformerless condenser]]></category>
		<category><![CDATA[tube condenser]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=71564</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/black-is-back">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/black-is-back">Black Is Back</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">Lauten Audio announces the V2 release of its award-winning Series Black family of microphones, including the LA-120 transformer-less condenser, LA-220 FET condenser, and LA-320 Tube condenser microphones. Each microphone maintains its critically-acclaimed sound, through-hole circuitry, and custom-crafted Lauten Audio capsule while adding several customer-requested functional and aesthetic improvements.</p>
<p class="p1">All three microphones in the Series Black family now feature polished and engraved nickel head-baskets, while the LA-320 exterior has been completely redesigned — signalling its relationship to Lauten Audio’s flagship Eden LT-386 tube microphone. The smooth, silk-screened labelling found on the classic LA-120, LA-220, and LA-320 has been replaced by hand-filled lettering and now includes a hallmark Lauten Audio inset badge.<span class="Apple-converted-space"> </span></p>
<p class="p1">In addition to material and aesthetic improvements, the LA-220 and LA-320 microphones also gain a beautifully redesigned, open-face shock mount system that improves isolation, flexibility, and long-term reliability. ​The Lauten Audio Series Black family of microphones has received high praise from industry heavyweights like 10x Grammy-Award winner Darrell Thorp and Hit-making Producer Greg Wells and is prominently featured on new and notable records including Foo Fighters’ Medicine at Midnight and Snarky Puppy’s Empire Central, among others.<span class="Apple-converted-space"> </span></p>
<p class="p1"><b>LA-120 (Pair)<br />
</b>MSRP: US$700<br />
STREET: US$499</p>
<p class="p1">The LA-120 is a transformer-less condenser microphone with world-class transparency and sonic flexibility. This uniquely configurable design is equipped with analog sound-shaping onboard and includes interchangeable Cardioid and Omni capsules for added flexibility. Unlike traditional microphone designs that utilise a transformer to introduce colour and saturation, the LA-120 is built around a US-made JFET to capture the vibrance and character of a sound with unprecedented realism and authenticity. ​<span class="Apple-converted-space"> </span></p>
<p class="p1"><b>LA- 220<span class="Apple-converted-space"><br />
</span></b>MSRP: US$500<br />
STREET: US$349</p>
<p class="p1">The LA-220 is a two-tone FET microphone that allows users to choose between the warmth of a classic microphone and the clarity of a modern microphone at the flip of a switch. Traditional microphones were made for a signal chain that isn’t always accessible, so Lauten designed the LA-220 to sound great without. Centred around a custom-made Lauten Audio capsule and hand-soldered circuit path, our unique microphone design gives the musical colour and gentle compression associated with classic signal chains but straight into an audio interface.</p>
<p class="p1"><b>LA-320<br />
</b>MSRP: US$1000<br />
STREET: US$699</p>
<p class="p1">The LA-320 is a twin-tone tube microphone that allows you to choose between the warmth and body of a vintage tube microphone, and the clarity and presence of a modern tube microphone at the flip of a switch. Classic tube microphones were made for a signal chain that users don’t usually have access to, so the LA-320 was designed to sound great without it. Centerer around a custom-made Lauten Audio capsule and hand-soldered tube circuit path, the company’s unique microphone design gives users the musical colour and gentle compression associated with classic signal chains but straight into an audio interface.</p>
<p class="p1"><b>Availability<br />
</b>The new LA-120, LA-220, and LA-320 microphones begin shipping to Lauten Audio dealers and distributors worldwide in the first week of November 2022.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/black-is-back">Black Is Back</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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