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	<title>Native Instruments Archives &mdash; AudioTechnology</title>
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	<title>Native Instruments Archives &mdash; AudioTechnology</title>
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	<item>
		<title>Review: Native Instruments Guitar Rig 7</title>
		<link>https://www.audiotechnology.com/reviews/native-instruments-guitar-rig-7</link>
					<comments>https://www.audiotechnology.com/reviews/native-instruments-guitar-rig-7#respond</comments>
		
		<dc:creator><![CDATA[Graeme Hague]]></dc:creator>
		<pubDate>Mon, 04 Dec 2023 05:44:59 +0000</pubDate>
				<category><![CDATA[Issue 92]]></category>
		<category><![CDATA[Native Instruments]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[amp]]></category>
		<category><![CDATA[cmi]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[gr7]]></category>
		<category><![CDATA[Graeme Hague]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[guitar rig]]></category>
		<category><![CDATA[issue]]></category>
		<category><![CDATA[native instruments]]></category>
		<category><![CDATA[pedals]]></category>
		<category><![CDATA[Plug-in]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[simulator]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[stompbox]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=79705</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/reviews/native-instruments-guitar-rig-7">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/native-instruments-guitar-rig-7">Review: Native Instruments Guitar Rig 7</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">There was a time when users of Native Instruments’ Guitar Rig worried that the software wasn’t going anywhere anymore. Guitar Rig 3 was at the cutting edge of guitar amplifier simulators, and GR4 was a positive step forward – although a few folks grumbled at the revamped interface with NI’s own Rig Kontroller foot pedal – then it was GR5 with further tweaks and upgrades. Next came … ah, nothing. In fact for almost a decade not a thing happened, which explains how GR is at version GR7 and yet is twenty years old. While NI’s Komplete bundle went from strength to strength with improved and added VST instruments, the included Guitar Rig languished at version five for so long it seemed that NI had put it in the too hard basket or simply lost interest in favour of the EDM and synth-based plugins.</p>
<p class="p1">Guitar Rig 6 finally appeared with a redesigned GUI and some new amps and effects using what NI calls Intelligent Circuit Modelling or ICM. Despite the impressive under-the-hood overhaul, a lot of users still weren’t happy because of the limited number of actual, new toys to play with – you just can’t please some.</p>
<p class="p1">Now with Guitar Rig 7 we have a swag of new amps and effects using that ICM technology, and that GUI has been further developed. Arguably, it’s maybe the release that GR6 was planned to be, but NI felt rushed to get something out there? Never mind, more to the point, is Guitar Rig 7 worth the wait?</p>
<h4 class="p1"><strong>SAME BUT BETTER</strong></h4>
<p class="p1">Guitar Rig has always differed from the competition (well, not all of them) with its signal path approach. Every component of your virtual rig, even if it’s a famed stomp pedal, is represented as a standard rack device. There is no attempt to visually reproduce scratched, beer-stained pedals and their accurate controls. Before GR6, the graphics did offer a nod towards authenticity with grungy 3D knobs and faceplates. Now, GR7 has completed the GR6 transition to clean, modern, and clear controls that are a lot more user-friendly and provide at a glance what’s going on, yet still with an eye-pleasing touch of 3D. Native Instruments isn’t quite alone in not presenting the components as their real-life counterparts – you won’t see ‘Fender’ or ‘Marshall’ written anywhere (although no doubt NI has done the right licensing thing somehow). However, most of the vintage gear is easily recognisable as what it’s supposed to be.</p>
<p class="p1">The preset browser on one side of the central rack now works kind of backwards. Instead of listing presets formally, you’re given a wide choice of keywords for each type of component, but more important this has headings like Character, Genre and even Artist to narrow the style of patch you’re hoping for, after which the browser offers preset suggestions. Like any search engine, you can include or exclude certain terms. This is great if you’re not a Professor of Guitar University and wouldn’t know a Matchless from a mermaid, but you know what you want to hear. Conversely, expert users can dial in familiar equipment. Oh, and those ‘Artist’ presets are curated from some of the best players on the planet and sound very cool.</p>
<p class="p1">On the opposite side of the rack is a simplified signal flow diagram which allows quickly reshuffling the components around, which can make a big difference to the final sound. Below this is an information panel – hover over any control on anything, and this box explains what it does and sometimes offers helpful hints.</p>

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		<div class="wpb_wrapper">
			<h4 style="text-align: center;"><strong>NEED TO KNOW</strong></h4>

		</div>
	</div>
<div class="uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin   "><ul class="uavc-list"><li><div class="uavc-list-content" id="list-icon-wrap-9442">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-dollar usd"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-9442 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PRICE</b></p>
<p class="p1">A$299 direct from NI</p>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-3280">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-phone"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-3280 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONTACT</b></p>
<p class="p1">CMI Music &amp; Audio: (03) 9315 2244 or <a href="http://www.cmi.com.au">www.cmi.com.au</a></p>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-9572">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-check"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-9572 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PROS</b></p>
<ul>
<li class="p1">New ICM amp sounds are excellent</li>
<li class="p1">Improved GUI</li>
<li class="p1">Lots of patches for producers</li>
</ul>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-2811">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-close remove times"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-2811 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONS</b></p>
<ul>
<li class="p1">Can be CPU-hungry if your DAW isn’t fine-tuned<span class="Apple-converted-space"> </span></li>
<li class="p1">MIDI mapping for external controllers takes skills</li>
</ul>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-8776">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-stack-exchange"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-8776 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>SUMMARY</b></p>
<p class="p1">Guitar Rig 7 offers a lot more than just an amplifier sim’ plugin, and it will become a valued tool in your DAW collection.</p>
<p></span></div></li></ul></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1024" height="358" src="https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123907-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="Screenshot-2023-11-29-123907-pichi" fetchpriority="high" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123907-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123907-pichi-800x280.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123907-pichi-768x269.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123907-pichi-600x210.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div>
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			<h4 class="p1"><strong>HOW DOES IT SOUND?</strong></h4>
<p class="p1">There’s good news and bad news… the happy news is that the new ICM technology sounds so damned good I’m not sure I’ll ever choose one of the legacy amps again. All up, there are now eight ICM amplifiers available, and between them you can certainly create any tone you like. Also, things like the A/B microphone placement work much better. It really sounds like you’re shifting the mic around and creating space and air in the tone, rather than just a two-dimensional EQ tweak.</p>
<p class="p1">Meaning the bad news is a lot of the older components might stay dormant.</p>
<p class="p1">Unless, of course, you’re after an authentic or vintage sound of a particular amplifier. Users are divided on whether GR7 (or any of its predecessors) truly re-creates those tones. But what tones are we talking about? A brand new, off-the-shop-floor Vox AC30 circa 1960, or the same amp after it’s been dragged around stages or bouncing in the back of a van for 40 years? So many perceptions of these amps and how they sound are coloured by the conditions of the units and how they’ve been used (or abused) over the decades. Regardless, I suggest that GR7’s modelling provides a very close approximation of the voices and tones of the original amps, which is the perfect start to getting the individual tone you want. Think of the amp modelling as a template, if you like, of what you want to hear.</p>
<p class="p1">Adding to this, the effects units and wide range of sound-crunching, manipulating, twisting, mangling tools that come with it make GR7 a fantastic production tool even if you never plug a guitar into it.</p>

		</div>
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</div></div></div><div class="wpb_animate_when_almost_visible wpb_fadeInRight fadeInRight wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1679444872148"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-open" ></i></div><div class="icon_description" id="Info-list-wrap-5559" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-5559 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div><h2 style="text-align: left;font-family:Playfair Display;font-weight:700;font-style:normal" class="vc_custom_heading" >The wide range of sound-crunching, manipulating, twisting, mangling tools make GR7 a fantastic production tool even if you never plug in a guitar</h2><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1683167741851"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-close" ></i></div><div class="icon_description" id="Info-list-wrap-5921" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-5921 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div></div></div></div></div><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid vc_custom_1595296124081 vc_row-has-fill"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner vc_custom_1595990674300"><div class="wpb_wrapper"><div id="bsa-block-970--450" class="bsaProContainerNew bsaProContainer-86 bsa-block-970--450 bsa-pro-col-1" style="display: block !important"><div class="bsaProItems bsaGridNoGutter " style="background-color:"><div class="bsaProItem bsaReset" data-animation="fadeIn" style=""><div class="bsaProItemInner" style="background-color:"><div class="bsaProItemInner__thumb"><div class="bsaProAnimateThumb" style="display: block;margin: auto;"><a class="bsaProItem__url" href="https://www.audiotechnology.com/advertise?sid=86&bsa_pro_id=739&bsa_pro_url=1" target="_blank"><div class="bsaProItemInner__img" style="background-image: url(&#39;https://www.audiotechnology.com/wp-content/uploads/bsa-pro-upload/1673238661-RCPII_Launch_Static_PA-pichi.jpg&#39;)"></div></a></div></div></div></div></div></div><script>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1440" height="1095" src="https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123733-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="Screenshot-2023-11-29-123733-pichi" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123733-pichi.jpg 1440w, https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123733-pichi-800x608.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123733-pichi-768x584.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/11/Screenshot-2023-11-29-123733-pichi-600x456.jpg 600w" sizes="(max-width: 1440px) 100vw, 1440px" /></div>
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			<h4 class="p1"><strong>PLAYING LIVE</strong></h4>
<p class="p1">Guitar Rig can still operate as a standalone application, allowing you to use it in live performances. This is pretty good option to consider when you think that a reasonable laptop can be bought, even second hand, and GR7 installed, all within a budget that compares very well with some of the top-end hardware guitar processor boards. You’d need a dedicated MIDI controller – again, not a huge amount of money if it’s just a controller – so the only drawback is you must have those MIDI mapping skills which can be a little daunting. It’s all there in GR7 and with a handy ‘learn’ function, but it ain’t plug ’n’ play.</p>
<p class="p1">Initially, by the way, I found GR7 to be a bit of a CPU hog (likely not a problem live if it’s the only thing you’re running) and the internet said I wasn’t alone. My bad, I was running a newly configured PC and hadn’t bothered with the standard DAW tweaks to the OS. After doing that, CPU use dropped dramatically. So in a way, GR7 can act as a bellwether plugin for your system optimisation.</p>
<h4 class="p1"><strong>SOFTWARE VS HARDWARE</strong></h4>
<p class="p1">Oddly, hardware guitar processors took a long time to be considered seriously in studios. Maybe it’s because you’d usually have a real amp and a bunch of microphones to hand – and sound engineers are stubborn. Now, the high-end multi-FX boards are popular for recording sessions because they sound so brilliant. How does GR7 compare? Cost-wise at US$199, I’d say that GR7 is an attractive investment compared to most of the midrange hardware processors – as long as you have it running properly and issues of latency and monitoring aren’t happening.</p>
<p class="p1">Obviously, you can’t chuck GR7 under your arm and portability isn’t an option. But the enormous palette of sounds and effects, and how easily they can be accessed is way better than squinting at a dodgy LED screen. Start talking about the flagship Headrush and Helix gear and… well, we won’t. That’s oranges and apples stuff.</p>
<h4 class="p1"><strong>CONCLUSION</strong></h4>
<p class="p1">It’s been a long time coming, so GR users are entitled to keep being a bit grumpy about that. However, it certainly is worth the wait. Guitar Rig 7 has brought GR back to the premier league of guitar amp simulators. The ICM sounds are impressive and those new amps are a lot of fun to make a broad variety of tones. Likewise, the effects are lush and complete, and really the legacy pedal emulations don’t suffer so much from that not-ICM modelling comparison. If you’re a fan of looping, the new Loop Machine Pro will catch your eye although you’ll benefit most having a MIDI controller attached. And finally, you’ll lose hours of your life playing with the more wild, whacky and experimental patches that the more esoteric components provide – not to mention be inspired too.</p>
<p class="p1">It&#8217;ll be interesting to see how long Native Instruments takes to try and better Guitar Rig 7. I reckon it’ll be a while before anyone starts getting impatient.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/native-instruments-guitar-rig-7">Review: Native Instruments Guitar Rig 7</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Native Instruments Kontrol S-Series MK3</title>
		<link>https://www.audiotechnology.com/news/native-instruments-kontrol-s-series-mk3</link>
					<comments>https://www.audiotechnology.com/news/native-instruments-kontrol-s-series-mk3#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Thu, 14 Sep 2023 23:47:48 +0000</pubDate>
				<category><![CDATA[MIDI Controllers]]></category>
		<category><![CDATA[Native Instruments]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Ableton Live Lite]]></category>
		<category><![CDATA[CMI distribution]]></category>
		<category><![CDATA[Guitar Rig LE]]></category>
		<category><![CDATA[Hypha]]></category>
		<category><![CDATA[iZotope Elements Suite]]></category>
		<category><![CDATA[Komplete 14 Select]]></category>
		<category><![CDATA[Komplete Kontrol]]></category>
		<category><![CDATA[Kontrol S-Series MK3]]></category>
		<category><![CDATA[midi controller keyboard]]></category>
		<category><![CDATA[native instruments]]></category>
		<category><![CDATA[s49]]></category>
		<category><![CDATA[s61]]></category>
		<category><![CDATA[s88]]></category>
		<category><![CDATA[Stradivari Cello]]></category>
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<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/native-instruments-kontrol-s-series-mk3">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/native-instruments-kontrol-s-series-mk3">Native Instruments Kontrol S-Series MK3</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p class="p1">Native Instruments has announced new S49, S61, and S88 Kontrol S-Series MK3 MIDI controller keyboards, offering seamless hardware and software integration, unique expressive control, and a stunning industrial design. Kontrol S-Series keyboard controllers are truly best in class, with new features and control capabilities that enable creators to stay in the flow with an intuitive connection to instruments, effects, and DAWs — all with deep navigation on a high-res screen. They are available in three size options: 49 semi-weighted keys, 61 semi-weighted keys, or 88 fully weighted hammer-action keys.</p>
<p class="p1">New polyphonic aftertouch functionality allows creators to take expression further with the slightest pressure on individual keys, controlling cutoff, pitch, vibrato, and much more without reaching for an extra encoder or dial. All three models include polyphonic aftertouch on an industry-leading keybed developed in collaboration with renowned Italian manufacturer Fatar.</p>
<p class="p1">Kontrol S-Series controllers bring virtual instruments to life and offer a genuinely immersive experience with in-depth control via extensive Kontakt integration and next-generation Native Kontrol Standard (NKS) technology. NKS brings software instruments, effects, loops, and samples into one smooth workflow, creating seamless integration between NI software, all major DAWs, and thousands of partner sounds, instruments, and effects. This effortless integration enables creators to focus on their performance, without being distracted by the need to look at a computer screen.</p>
<p class="p1">All three models feature a stunning industrial design with a large glass screen, touch-sensitive anodised aluminium encoders and mod wheels, and redesigned tactile buttons. A highly visual lighting system makes it easy to stay in the creative zone with an intelligent Light Guide that illuminates switches, key zones, scales, and more.</p>
<p class="p1"><b>Kontrol S-Series Software:</b></p>
<ul>
<li class="p1">Komplete 14 Select is the essential production suite, including powerful synths, drums, percussion, studio-grade effects, and a wide range of customisable sounds.</li>
<li class="p1">Komplete Kontrol software unites and organises instruments, effects, loops, and samples, mapping everything to the keyboard controller.</li>
<li class="p1">Plus: Stradivari Cello, Hypha, Guitar Rig LE, iZotope Elements Suite, and Ableton Live Lite</li>
</ul>
<p class="p1"><b>Top Kontrol S-Series Features:</b></p>
<ul>
<li class="p1">Refined industrial design, manufactured to the highest level of quality for the best playing experience</li>
<li class="p1">Full-colour glass display for intuitive browsing, tweaking, and mixing</li>
<li class="p1">Industry-leading keybed from Fatar with polyphonic aftertouch as standard</li>
<li class="p1">Metal-touch pitch and modulation wheels with central illumination</li>
<li class="p1">Unparalleled hardware/software integration with direct connection to Kontakt helps you find, adjust, and play sounds quickly and easily</li>
<li class="p1">Seamless integration with all major DAWs lets you control transport and mixing commands directly from the keyboard: record, stop, rewind, mix, edit, and see project channels on the display</li>
<li class="p1">Precision tweaking for all your sounds, pre-mapped to key instrument and effect parameters</li>
<li class="p1">Redesigned Light Guide pinpoints notes with a light above each key</li>
<li class="p1">USB, MIDI, and bus-powered USB-C connectivity plus inputs for four pedals: one sustain, one expression, and two assignable pedals</li>
</ul>
<p class="p1"><b>Pricing &amp; Availability<br />
</b>Kontrol S-Series MK3 is now available for pre-orders from the Native Instruments website and select retailers, and will be fully available online and in stores this October, with preorders also shipping at that time.</p>
<p class="p1">Kontrol S49 MK3:<br />
<b>AU$1,099</b></p>
<p class="p1">Kontrol S61 MK3:<br />
<b>AU$1,299</b></p>
<p class="p1">Kontrol S88 MK3:<br />
<b>AU$1,949</b></p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/native-instruments-kontrol-s-series-mk3">Native Instruments Kontrol S-Series MK3</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Native Instruments Releases Traktor X1 MK3</title>
		<link>https://www.audiotechnology.com/news/native-instruments-releases-traktor-x1-mk3</link>
					<comments>https://www.audiotechnology.com/news/native-instruments-releases-traktor-x1-mk3#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Wed, 06 Sep 2023 04:07:22 +0000</pubDate>
				<category><![CDATA[Interfaces]]></category>
		<category><![CDATA[Native Instruments]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[CMI distribution]]></category>
		<category><![CDATA[cmi music]]></category>
		<category><![CDATA[DJ controller]]></category>
		<category><![CDATA[Mixer Mode]]></category>
		<category><![CDATA[native instruments]]></category>
		<category><![CDATA[traktor]]></category>
		<category><![CDATA[Traktor Pro]]></category>
		<category><![CDATA[TRAKTOR PRO 3]]></category>
		<category><![CDATA[Traktor X1 MK3]]></category>
		<category><![CDATA[X1 MK1]]></category>
		<category><![CDATA[X1 MK2]]></category>
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<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/native-instruments-releases-traktor-x1-mk3">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/native-instruments-releases-traktor-x1-mk3">Native Instruments Releases Traktor X1 MK3</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			<p class="p1">To kick off a series of new product releases this autumn, Native Instruments has announced the new Traktor X1 MK3 DJ controller, a compact, modular controller for modern DJs who want exceptional portability, powerful effects control, and intuitive operation, regardless of experience level.</p>
<p class="p1">Building on the success of the acclaimed X1 MK1 and MK2 models, X1 MK3 adds innovative new features based on insightful feedback from the Traktor community. The result is a next-generation DJ controller with maximum flexibility and extensive functionality for effects control, playback manipulation, looping, mixer mapping, and more.</p>
<p class="p1">A highly visual design allows DJs to focus on their performance instead of looking at a laptop. Five OLED displays reveal essential track and effect information, including track progress, track name, loop size, selected effects, and effect parameters. An advanced lighting system notifies performers with key information, like when a track is about to run out or if it’s running in a loop.</p>
<p class="p1">DJs can also choose from a spectrum of colours to customise the ambient lighting and button colour, perfect for matching their unique style or brand. Accessibility enhancements include tactile dots across the controller and increased button sizes, making it easier for performers to orient themselves, even in low light environments.</p>
<p class="p1">The new ‘Mixer Mode’ allows DJs to press a single button to switch from effects mode to mixer mode, instantly take control of EQs and channel levels, and transition tracks while monitoring all four channel levels on the displays. Highly customisable, X1 can be quickly set up to meet your specific needs. Make adjustments to mapping with a customisation page in Traktor Pro and colour-code each button group to easily identify different functions.</p>
<p class="p1">A three-port powered USB hub extends connectivity, allowing you to connect to CDJs, your custom setups, or additional X1 units. X1 MK3 comes bundled with the latest version of NI’s flagship DJ software, Traktor Pro 3, so DJs can plug in and start mixing out of the box. Traktor Pro 3 includes sonic sculpting tools, professional audio quality, and a clear and intuitive interface. Additional features include time-stretching, an improved limiter, a huge array of effects, and a wide range of options for customising your mixing workflow.</p>
<p class="p1"><b>Pricing &amp; Availability</b></p>
<p class="p1">Traktor X1 MK3 is now available for pre-order from the Native Instruments website and select retailers.<br />
Traktor X1 MK3 will be fully available online and in stores on September 20, 2023 with an RRP of AUD$449.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/native-instruments-releases-traktor-x1-mk3">Native Instruments Releases Traktor X1 MK3</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Native Instruments Announces Accessibility Helper</title>
		<link>https://www.audiotechnology.com/news/native-instruments-announces-accessibility-helper</link>
					<comments>https://www.audiotechnology.com/news/native-instruments-announces-accessibility-helper#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Fri, 21 Apr 2023 01:41:44 +0000</pubDate>
				<category><![CDATA[Native Instruments]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Software + Plug-ins]]></category>
		<category><![CDATA[Utility & Other Software]]></category>
		<category><![CDATA[Accessibility Helper tool]]></category>
		<category><![CDATA[Andre Louis]]></category>
		<category><![CDATA[Chris Ankin]]></category>
		<category><![CDATA[CMI distribution]]></category>
		<category><![CDATA[Helper tool]]></category>
		<category><![CDATA[Jason Dasent]]></category>
		<category><![CDATA[Maschine]]></category>
		<category><![CDATA[Maschine MK3]]></category>
		<category><![CDATA[native instruments]]></category>
		<category><![CDATA[Raised Bar]]></category>
		<category><![CDATA[Tim Burgess]]></category>
		<category><![CDATA[visually impaired beatmakers]]></category>
		<category><![CDATA[visually impaired producers]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=75702</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/native-instruments-announces-accessibility-helper">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/native-instruments-announces-accessibility-helper">Native Instruments Announces Accessibility Helper</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p>Native Instruments has released the NI Accessibility Helper, a new lightweight app that works with Maschine software to help visually impaired producers and beatmakers. The Accessibility Helper works by enabling Maschine users to hear touch-triggered audio cues that read out each control that is used — with all encoders, pads, and screen-menu items identifiable in this way.</p>
<p>Additionally, the Accessibility Helper provides a degree of in-app help and orientation over the hardware — which are triggered via computer keyboard input.</p>
<p>First introduced for Maschine MK3, the NI Accessibility Helper will soon be available for use with more NI hardware devices as part of NI’s commitment to developing new tools that empower producers to create without barriers. Plus, by building a dedicated app, NI can continue to deliver Accessibility-focussed improvements without needing to make changes to Maschine software.</p>
<p>NI is releasing the Accessibility Helper with special thanks to their consultants, Andre Louis, Tim Burgess (Raised Bar), Jason Dasent, and Chris Ankin — musicians from the visually impaired producer community — whose knowledge and expertise have been invaluable in the development of the tool.</p>
<p>For owners of Maschine+ and Maschine MK3, there is no further purchase necessary in order to install the NI Accessibility Helper. The tool is available for installation for free via Native Access.</p>
<p>The Accessibility Helper is now available for all owners of Maschine+ and Maschine MK3 via Native Access.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/native-instruments-announces-accessibility-helper">Native Instruments Announces Accessibility Helper</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Review: Native Instruments Komplete 14 Collector’s Edition</title>
		<link>https://www.audiotechnology.com/reviews/native-instruments-komplete-14-collectors-edition</link>
					<comments>https://www.audiotechnology.com/reviews/native-instruments-komplete-14-collectors-edition#respond</comments>
		
		<dc:creator><![CDATA[Greg Walker]]></dc:creator>
		<pubDate>Thu, 09 Feb 2023 15:55:35 +0000</pubDate>
				<category><![CDATA[Issue 85]]></category>
		<category><![CDATA[Native Instruments]]></category>
		<category><![CDATA[Plug-ins]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[absynth]]></category>
		<category><![CDATA[ash light]]></category>
		<category><![CDATA[battery]]></category>
		<category><![CDATA[collector’s edition]]></category>
		<category><![CDATA[contact 7]]></category>
		<category><![CDATA[glaze]]></category>
		<category><![CDATA[greg walker]]></category>
		<category><![CDATA[issue]]></category>
		<category><![CDATA[komplete 14]]></category>
		<category><![CDATA[Lores]]></category>
		<category><![CDATA[massive]]></category>
		<category><![CDATA[native instruments]]></category>
		<category><![CDATA[NI]]></category>
		<category><![CDATA[omni]]></category>
		<category><![CDATA[piano colours]]></category>
		<category><![CDATA[Playbox]]></category>
		<category><![CDATA[reactor]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[sample instruments]]></category>
		<category><![CDATA[sequins]]></category>
		<category><![CDATA[session guitarist]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=73866</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/reviews/native-instruments-komplete-14-collectors-edition">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/native-instruments-komplete-14-collectors-edition">Review: Native Instruments Komplete 14 Collector’s Edition</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_row wpb_row vc_inner vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-9"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">What do you give the producer or composer with everything? Well, you could do a lot worse than the Komplete 14 Collector’s Edition. This is Native Instruments’ ‘kitchen sink’ bundle — everything the team have been able to throw at its hugely successful Komplete platform (including a surprising number of new products), and redefines such terms as ‘epic’ and ‘feature rich’.<span class="Apple-converted-space"> </span></p>
<h4 class="p1"><strong>TSUNAMI!</strong></h4>
<p class="p1">Native Instruments’ Komplete software and Kontakt sample player are an industry standard. If you tune into Top 40 radio or pay heed to a movie score, chances are you will hear sounds generated by a Komplete instrument of some type. With the release of the Komplete 14 Collector’s Edition, NI is making available not so much a balanced/curated music software suite as a veritable tsunami of music-making tools that will keep users delving back in and discovering new sounds and features for years to come. All of the familiar tried and tested sample libraries and virtual instruments, such as Battery, Massive, Absynth and Reactor, are retained in expanded and augmented form, but then there’s more….oh so very much more!</p>

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	</div>
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	<div  class="wpb_single_image wpb_content_element vc_align_left  wpb_animate_when_almost_visible wpb_fadeInLeft fadeInLeft">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1024" height="631" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Ashlight-screenshot-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="Ashlight-screenshot-pichi" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Ashlight-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Ashlight-screenshot-pichi-800x493.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Ashlight-screenshot-pichi-768x473.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Ashlight-screenshot-pichi-600x370.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div><figcaption class="vc_figure-caption">Screen composers will love instruments such as Ashlight, Straylight and Pharlight.</figcaption>
		</figure>
	</div>
<div class="vc_row wpb_row vc_inner vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-9"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h4 class="p1"><strong>WIDESCREEN SOUNDS</strong></h4>
<p class="p1">Those who choose to spend the extra bucks to spring for the Collector’s Edition will doubtlessly include many producers and recording musicians looking for a sonic edge, whether in the form of a fresh expansion packs by the latest flavours in electronic production or in more flexibly articulated and lavishly-sampled acoustic instrument libraries.</p>
<p class="p1">Arguably, the biggest beneficiaries of this new release are screen composers who will find some outstanding new creative tools at their disposal. The headline items here are the Straylight, Pharlight and Ashlight sample-based instruments. All of these utilise what is now a fairly common NI approach to sound-making: blending two different looped sample sources through an X/Y matrix. By independently selecting the sample sources, modifying the loop in and out points, and playing with the X/Y matrix, a huge range of melodic, rhythmic and noise-based sounds can be generated. All three of these instruments excel at creating complex, evolving modern soundscapes that are powerfully evocative. It is hard to classify them too precisely but Pharlight is the most organically ethereal and Ashlight the most digitally brooding and avant-garde, with Straylight somewhere in the middle. Even the GUI artwork is a standout. If you just signed on with Netflix to make a sci-fi movie soundtrack, then these instruments have you covered and then some!</p>

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			<h4 style="text-align: center;"><strong>NEED TO KNOW</strong></h4>
<h5 style="text-align: center;"><strong>Native Instruments Komplete 14 Collector’s Edition</strong><br />
Sample, Instrument &amp; FX Bundle</h5>

		</div>
	</div>
<div class="uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin   "><ul class="uavc-list"><li><div class="uavc-list-content" id="list-icon-wrap-7966">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-dollar usd"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-7966 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PRICE</b></p>
<p class="p1">A$2699</p>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-6698">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-phone"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-6698 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONTACT</b></p>
<p class="p1">CMI: (03) 9315 2244 or <a href="mailto:sales@cmi.com.au">sales@cmi.com.au</a></p>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-1637">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-check"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-1637 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PROS</b></p>
<ul>
<li class="p1">Vast array of quality sounds</li>
<li class="p1">More efficient browser courtesy of Kontakt 7</li>
<li class="p1">Playability of sample instruments continues to improve</li>
</ul>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-7207">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-close remove times"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-7207 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONS</b></p>
<ul>
<li class="p1">Dedicated external hard drive storage is required</li>
</ul>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-7869">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-stack-exchange"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-7869 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>SUMMARY</b></p>
<p class="p1">The most complete Komplete yet, brings more variety, depth and usability to an already feature-rich package. An improved browser, stunning new instruments and refined presets and tweakability make the Komplete 14 Collector’s Edition a must have for serious music makers in almost every genre.<span class="Apple-converted-space"> </span></p>
<p></span></div></li></ul></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="wpb_gallery wpb_content_element vc_clearfix" ><div class="wpb_wrapper"><div class="wpb_gallery_slides wpb_slider_nivo theme-default" data-interval="5"><div class="nivoSlider"><img width="996" height="572" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Sequis-screenshot-pichi.jpg" class="attachment-full" alt="" decoding="async" title="Sequis-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Sequis-screenshot-pichi.jpg 996w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Sequis-screenshot-pichi-800x459.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Sequis-screenshot-pichi-768x441.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Sequis-screenshot-pichi-600x345.jpg 600w" sizes="(max-width: 996px) 100vw, 996px" /><img width="1024" height="631" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Piano-Colors-screenshot-pichi.jpg" class="attachment-full" alt="" decoding="async" title="Piano-Colors-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Piano-Colors-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Piano-Colors-screenshot-pichi-800x493.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Piano-Colors-screenshot-pichi-768x473.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Piano-Colors-screenshot-pichi-600x370.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /><img width="1024" height="640" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Lores-screenshot-pichi.jpg" class="attachment-full" alt="" decoding="async" title="Lores-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Lores-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Lores-screenshot-pichi-800x500.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Lores-screenshot-pichi-768x480.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Lores-screenshot-pichi-600x375.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div></div></div></div></div></div></div><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h4 class="p1"><strong>HYBRID SOUNDS: ARKHIS, SEQUIS ET AL</strong></h4>
<p class="p1">NI appears to have really mastered some interesting sonic territory: that in-between zone of acoustically-based samples that, via the judicious use of effects processing and juxtaposition, achieve a hybrid modern sound. Nothing illustrates this better than Arkhis, an instrument that blends three sound sources to generate some stunning rhythmic and melodic effects. The source instruments are traditional, such as mandolins, hang drums and violins, but the outcomes can be very stylised and ‘now’ sounding.</p>
<p class="p1">Sequis uses diverse sources such as voices, mallet instruments and flutes to generate rhythmic and melodic arpeggios that are great song starters or feature hooks.</p>
<p class="p1">Lores explores softer organic textures that can take you to some very beautiful places through blending various instruments, including medieval pipes, hurdy gurdies and harps.</p>
<p class="p1">Yet another of these wonderfully open-ended hybrid instruments is Piano Colours. This is ostensibly a piano instrument but it can get you anywhere from off-kilter toybox tonalities to complex auto-arpeggiated percussion, to evolving atmospheres and, like its brethren, is highly tweakable if you care to delve beyond simply dialling up the eminently useable presets.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1024" height="635" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Choir-Omnia-screenshot-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="Choir-Omnia-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Choir-Omnia-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Choir-Omnia-screenshot-pichi-800x496.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Choir-Omnia-screenshot-pichi-768x476.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Choir-Omnia-screenshot-pichi-600x372.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div>
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			<h4 class="p1"><strong>VOICE &amp; MUSIC: OMNIA &amp; MYSTERIA</strong></h4>
<p class="p1">Filling what was previously a bit of a gap in the Komplete universe, NI has brought several great choir instruments to the table here.</p>
<p class="p1">Omnia is a very versatile and beautifully-executed choir platform that allows for both subtle and overt manipulation of a multitude of basic choral tonalities. The combination of numerous vowel and consonant options and the onboard sequencer makes for very powerful and convincing results. When I first fired this one up I couldn’t help but to think about the many projects I’ve done over the years that would have benefitted greatly from this brilliant sample instrument.</p>
<p class="p1">Mysteria is a vocal instrument more focussed towards scoring and sound design with atonal atmospheres and chord clusters taking centre stage. Again the tonal range and choice of voicing makes for some very powerful and (you know you want to go there) unsettling effects.</p>

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</div></div></div><div class="wpb_animate_when_almost_visible wpb_fadeInRight fadeInRight wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1610588588672"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-open" ></i></div><div class="icon_description" id="Info-list-wrap-9010" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-9010 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div><h2 style="text-align: left;font-family:Playfair Display;font-weight:700;font-style:normal" class="vc_custom_heading" >If you just signed on with Netflix to make a sci-fi movie soundtrack, then these instruments have you covered and then some!</h2><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1610588603972"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-close" ></i></div><div class="icon_description" id="Info-list-wrap-8570" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-8570 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div></div></div></div></div><div data-vc-full-width="true" data-vc-full-width-init="false" class="vc_row wpb_row vc_row-fluid wpb_animate_when_almost_visible wpb_fadeInLeft fadeInLeft"><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="aio-icon-component    style_1"><div id="Info-box-wrap-6899" class="aio-icon-box default-icon" style=""  ><div class="aio-icon-default"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
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</div></div></div></div><div class="aio-icon-header" ><h4 class="aio-icon-title ult-responsive"  data-ultimate-target='#Info-box-wrap-6899 .aio-icon-title'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="color:#ffffff;">BROWSERS WELCOME</h4></div> <!-- header --><div class="aio-icon-description ult-responsive"  data-ultimate-target='#Info-box-wrap-6899 .aio-icon-description'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="color:#ffffff;"></p>
<p class="p1">After many iterations without significant change, Native Instruments has finally given the Kontakt sample player a very welcome makeover. The new Kontakt 7 GUI allows users to more quickly scroll through a tile-based instrument library as well as search via sound type or character. If you search via the latter two, only instruments’ tiles that have that sound or characteristic will be displayed. Single clicking on a tile brings up that instrument’s presets menu on the right hand side of the main page, and single clicking on the individual preset names plays the sound and allows you to quickly audition a ton of sounds without having to open and close individual instruments. Double clicking on a menu preset or tile loads that instrument and functions as in earlier versions. The single click topology really speeds up the increasingly daunting search for the right sound and is very welcome when deciding which of the 27 orchestral and cinematic instruments, 19 synthesizers, 48 sampled instruments, 15 percussion tools and 103 expansions’ sounds is the right fit for your new track. As if that wasn’t enough, the factory library has also been enlarged in Kontakt 7 and includes many useful and tasty new additions.</p>
<p></div> <!-- description --></div> <!-- aio-icon-box --></div> <!-- aio-icon-component --></div></div></div><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row-full-width vc_clearfix"></div><!-- Row Backgrounds --><div class="upb_grad" data-grad="background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #5661D5), color-stop(100%, #8942C7));background: -moz-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: -webkit-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: -o-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: -ms-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: linear-gradient(left,#5661D5 0%,#8942C7 100%);" data-bg-override="0" data-upb-overlay-color="" data-upb-bg-animation="" data-fadeout="" data-fadeout-percentage="30" data-parallax-content="" data-parallax-content-sense="30" data-row-effect-mobile-disable="true" data-img-parallax-mobile-disable="true" data-rtl="false"  data-custom-vc-row=""  data-vc="7.0"  data-is_old_vc=""  data-theme-support=""   data-overlay="false" data-overlay-color="" data-overlay-pattern="" data-overlay-pattern-opacity="" data-overlay-pattern-size=""    ></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="wpb_gallery wpb_content_element vc_clearfix" ><div class="wpb_wrapper"><div class="wpb_gallery_slides wpb_slider_nivo theme-default" data-interval="5"><div class="nivoSlider"><img width="1024" height="422" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Knifonium-screenshot-pichi.jpg" class="attachment-full" alt="" decoding="async" title="Knifonium-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Knifonium-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Knifonium-screenshot-pichi-800x330.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Knifonium-screenshot-pichi-768x317.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Knifonium-screenshot-pichi-600x247.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /><img width="1024" height="531" src="https://www.audiotechnology.com/wp-content/uploads/2013/02/Glaze-screenshot-pichi.jpg" class="attachment-full" alt="" decoding="async" title="Glaze-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2013/02/Glaze-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2013/02/Glaze-screenshot-pichi-800x415.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2013/02/Glaze-screenshot-pichi-768x398.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2013/02/Glaze-screenshot-pichi-600x311.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /><img width="1024" height="640" src="https://www.audiotechnology.com/wp-content/uploads/2013/02/Playbox-screenshot-pichi.jpg" class="attachment-full" alt="" decoding="async" title="Playbox-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2013/02/Playbox-screenshot-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2013/02/Playbox-screenshot-pichi-800x500.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2013/02/Playbox-screenshot-pichi-768x480.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2013/02/Playbox-screenshot-pichi-600x375.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div></div></div></div>
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			<p>Reaktor plug-in Knifonium. Sample instruments Glaze and Playbox.</p>

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			<h4 class="p1"><strong>ARCING UP</strong></h4>
<p class="p1">Moving somewhat sideways towards more synthetic sounds there are also some very tasty new offerings that are more overtly digital. Modular Icons is a ‘two-sample blend’ instrument with a more muscular digital signature. Perfect for hard hitting monophonic leads and edgy chord work. The filter and effects are also nice and punchy on this one.</p>
<p class="p1">Glaze and Playbox bring instant colour and digital sheen to the table, while Lo-Fi Glo and Stacks each have their own retro futurist vibe and pack a serious punch as pad or lead instruments.</p>
<p class="p1">Over in the Reaktor plug-in lurk many more new sounds courtesy of deeply tweakable synths like Knifonium, Monark, Rounds, Super 8 and Prism to name but a few.</p>

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			<h4 class="p1"><strong>SAMPLE &amp; HOLD</strong></h4>
<p class="p1">New additions to the sampled instrument content are headlined by the Spotlight Series East Asia. The tonalities of things like the Chinese Guzheng and Korean Janggu are stunningly realistic and this is another area where NI has really perfected the capture and playability of these types of acoustic sounds.</p>
<p class="p1">Komplete 14 also sees new additions to the range of Session Guitarist and Session Bassist libraries which expand these instruments into new areas. Keyboardists can now explore the realms of their fretboard brethren via Electric Vintage and Picked Nylon instruments among others.</p>

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</div></div></div></div><div class="aio-icon-header" ><h4 class="aio-icon-title ult-responsive"  data-ultimate-target='#Info-box-wrap-3132 .aio-icon-title'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="color:#ffffff;">DOWNLOAD DOWN-LOW</h4></div> <!-- header --><div class="aio-icon-description ult-responsive"  data-ultimate-target='#Info-box-wrap-3132 .aio-icon-description'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="color:#ffffff;"></p>
<p class="p1">The gateway to all this Komplete 14 fun is a somewhat daunting download and data storage process, and I got off on the wrong foot by initially trying to put most of the data on my iMac’s main drive — big mistake! There’s just too much data here and the Komplete 14 Collector’s Edition package demands a separate and dedicated drive formatted correctly to minimise lag when calling up new instruments. In the end, it was easy enough to migrate the bigger data sets to a portable hard drive but be warned, you need to allow some serious time to get all this material off the NI website and into your system. Once you’ve got all these countless billion of ones and zeroes in your personal possession, there’s another daunting, though much more enjoyable process involved, namely exploring all these sounds. As with any instrument it takes time to learn the intricacies of many of the synths and sample libraries in the Komplete canon, but it is also an easy platform to get up and going. Many of the new instruments sound fantastic right off the bat and the menu libraries are stacked with extremely useful presets and easily tweakable parameters. Once you’re more familiar with an instrument, you can get under the bonnet and really fine-tune things to taste and, of course, save your own presets to the database.</p>
<p></div> <!-- description --></div> <!-- aio-icon-box --></div> <!-- aio-icon-component --></div></div></div><div class="wpb_column vc_column_container vc_col-sm-3"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row-full-width vc_clearfix"></div><!-- Row Backgrounds --><div class="upb_grad" data-grad="background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #5661D5), color-stop(100%, #8942C7));background: -moz-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: -webkit-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: -o-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: -ms-linear-gradient(left,#5661D5 0%,#8942C7 100%);background: linear-gradient(left,#5661D5 0%,#8942C7 100%);" data-bg-override="0" data-upb-overlay-color="" data-upb-bg-animation="" data-fadeout="" data-fadeout-percentage="30" data-parallax-content="" data-parallax-content-sense="30" data-row-effect-mobile-disable="true" data-img-parallax-mobile-disable="true" data-rtl="false"  data-custom-vc-row=""  data-vc="7.0"  data-is_old_vc=""  data-theme-support=""   data-overlay="false" data-overlay-color="" data-overlay-pattern="" data-overlay-pattern-opacity="" data-overlay-pattern-size=""    ></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="970" height="500" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/40s-Very-Own-Drums-screenshot-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="40s-Very-Own-Drums-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/40s-Very-Own-Drums-screenshot-pichi.jpg 970w, https://www.audiotechnology.com/wp-content/uploads/2023/02/40s-Very-Own-Drums-screenshot-pichi-800x412.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/40s-Very-Own-Drums-screenshot-pichi-768x396.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/40s-Very-Own-Drums-screenshot-pichi-600x309.jpg 600w" sizes="(max-width: 970px) 100vw, 970px" /></div><figcaption class="vc_figure-caption">Komplete 14 has beatmaking covered with the likes of 40s Very Own Drums.</figcaption>
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			<h4 class="p1"><strong>THE BEAT GOES ON</strong></h4>
<p class="p1">Last but not least, the Komplete 14 Collector’s Edition brings some very welcome new beatmaking tools to the table. Butch Vig Drums is a plus-sized collection of heavily produced and hard-hitting pop-rock drum sounds. As well as sounding very, erm…’butch’, they are nicely balanced and fun to play with, lending productions a hyped quality that sits well with contemporary styles.</p>
<p class="p1">40s Very Own Drums supplies lots of modern synthetic beatmaking sounds, while Empire Breaks (my personal favourite) takes care of the hip hop side of things with some truly great-sounding ready-made beats and individual sounds.</p>
<p class="p1">If all that doesn’t yet satisfy your endless hunger for more tasty audio morsels, there are the 32 effects that come with the Komplete 14 Collectors Edition package. These include NI’s own extremely handy and great-sounding Solid EQ and Solid Bus Comp, Softube’s equally useful passive four-band EQ and Vari Comp as well as the bx range of processing plugs. The icing on the cake here is the Ozone 10 Standard dynamics and mastering plug-in courtesy of partner iZotope which takes very good care of the final spit and polish on your mix bus.</p>

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</div></div></div><div class="wpb_animate_when_almost_visible wpb_fadeInRight fadeInRight wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1610588588672"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-open" ></i></div><div class="icon_description" id="Info-list-wrap-8296" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-8296 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div><h2 style="text-align: left;font-family:Playfair Display;font-weight:700;font-style:normal" class="vc_custom_heading" >you could justifiably make the argument that this is the best value-for-money ‘instrument’ ever brought to market in the history of the world</h2><div class="smile_icon_list_wrap ult_info_list_container ult-adjust-bottom-margin   vc_custom_1610588603972"><ul class="smile_icon_list left square with_bg"><li class="icon_list_item" style=" font-size:150px;"><div class="icon_list_icon" data-animation="" data-animation-delay="03" style="font-size:50px;border-width:1px;border-style:none;background:rgba(255,255,255,0.01);color:#0c0c0c;border-color:#333333;"><i class="icomoon-serif-quote-close" ></i></div><div class="icon_description" id="Info-list-wrap-1897" style="font-size:50px;"><div class="icon_description_text ult-responsive"  data-ultimate-target='#Info-list-wrap-1897 .icon_description_text'  data-responsive-json-new='{"font-size":"desktop:13px;","line-height":"desktop:18px;"}'  style=""></div></div><div class="icon_list_connector"  style="border-right-width: 1px;border-right-style: dashed;border-color: #333333;"></div></li></ul></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="800" height="549" src="https://www.audiotechnology.com/wp-content/uploads/2023/02/Console-Focusrite-Brainworx-screenshot-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="Console-Focusrite-Brainworx-screenshot-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/02/Console-Focusrite-Brainworx-screenshot-pichi.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Console-Focusrite-Brainworx-screenshot-pichi-768x527.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/02/Console-Focusrite-Brainworx-screenshot-pichi-600x412.jpg 600w" sizes="(max-width: 800px) 100vw, 800px" /></div><figcaption class="vc_figure-caption">32 effects/processors come with the Komplete 14 Collectors Edition package.</figcaption>
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			<h4 class="p1"><strong>MY LIFE IS KOMPLETE (AS IS MY HD)</strong></h4>
<p class="p1">The Komplete 14 Collector’s Edition takes up a whopping 1.125 terabytes of storage for the full installation, and will cost you around two and a half grand. Before you recoil, remember that you could easily spend as much on a mid-range Fender Telecaster or a Dave Smith Instruments analogue synth. In fact, you could justifiably make the argument that this is the best value-for-money ‘instrument’ ever brought to market in the history of the world. The range and power of the tools in this package is outrageous and allows you to make cutting-edge music in just about every musical genre imaginable, from avant-garde soundscapes to electro pop to classical to trap to jazz to RnB to world music to classic rock. If you are serious about making music using a computer, then Komplete 14 is one of the main tools you should have in your kitbag. If you can stump up for the Collector’s Edition you won’t regret it.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/native-instruments-komplete-14-collectors-edition">Review: Native Instruments Komplete 14 Collector’s Edition</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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