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	<title>Avid Archives &mdash; AudioTechnology</title>
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	<title>Avid Archives &mdash; AudioTechnology</title>
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		<title>Pro Tools Update to Dolby Atmos</title>
		<link>https://www.audiotechnology.com/by-brand/avid/pro-tools-update-to-dolby-atmos</link>
					<comments>https://www.audiotechnology.com/by-brand/avid/pro-tools-update-to-dolby-atmos#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Fri, 15 Dec 2023 02:04:58 +0000</pubDate>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[Software + Plug-ins]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[dolby atmos]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[Plug-in]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[professional musician]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording studio]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[studio]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=80450</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/by-brand/avid/pro-tools-update-to-dolby-atmos">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/avid/pro-tools-update-to-dolby-atmos">Pro Tools Update to Dolby Atmos</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p>Dolby Atmos is an immersive technology, which allows you to position sound elements in a three-dimensional space. It gives you the ability to create a single mix that can be monitored and delivered in a variety of formats. Over the years, Dolby Atmos has become ubiquitous in film, television, music, and video game production. With the <a href="https://www.avid.com/resource-center/whats-new-in-pro-tools-202312">Pro Tools 2023.12 software release</a>, Atmos integration is now better than ever because Dolby has provided us the tools to integrate their renderer directly into Pro Tools, so you can mix in Dolby Atmos without having to use (and purchase) the external Dolby Atmos Renderer application. This enabled us to greatly simplify the setup and use of Dolby Atmos within Pro Tools, while lowering the cost for you as the new integrated renderer is included free in both Pro Tools Studio and Ultimate.</p>
<p>The Pro Tools Dolby Atmos renderer supports direct monitoring of the following formats: Binaural, 2.0, 5.1, 7.1, 5.1.2, 5.1.4, 7.1.4 (Studio and Ultimate) and 9.1.6 (Ultimate only). Binaural can be monitored from your main output, or sent as an independent headphone mix, allowing you to maintain a separate monitor format from your speakers. The Dolby Atmos integration also offers an independent re-render that can be used for loudness metering with your choice of plugin, or as an additional 5.1 or 2.0 send/print of the mix.</p>
<p>For information, go <a href="https://www.avid.com/resource-center/dolby-atmos-renderer">HERE</a>.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/avid/pro-tools-update-to-dolby-atmos">Pro Tools Update to Dolby Atmos</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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			</item>
		<item>
		<title>AVID Aquisition Gets the Green Light</title>
		<link>https://www.audiotechnology.com/by-brand/avid/avid-aquisition-get-the-green-light</link>
					<comments>https://www.audiotechnology.com/by-brand/avid/avid-aquisition-get-the-green-light#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Thu, 09 Nov 2023 04:29:36 +0000</pubDate>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Avid audio]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[studio]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=79358</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/by-brand/avid/avid-aquisition-get-the-green-light">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/avid/avid-aquisition-get-the-green-light">AVID Aquisition Gets the Green Light</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p>Avid Technology, Inc. (NASDAQ: AVID), a leading technology provider that powers the media and entertainment industry, announced the completion of its acquisition by an affiliate of STG in an all-cash transaction valued at approximately $1.4 billion. The acquisition was previously announced on August 9, 2023, and approved by Avid stockholders on November 2, 2023.</p>
<p>Under the terms of the merger agreement, Avid stockholders will receive $27.05 per share. As a result of the completion of this transaction, Avid common stock will cease trading prior to the opening of trading on November 7, 2023, and will no longer be listed on the Nasdaq Stock Market. Avid will operate as a privately-held company and remain headquartered in Burlington, Massachusetts.</p>
<p>“By becoming a private company, we believe Avid will be able to achieve the speed of innovation, scale and performance required for us to continue leading the industry forward,” said Jeff Rosica, Avid’s Chief Executive Officer and President. “Combined with their significant operational and financial resources, STG brings deep investment experience in the technology sector that will accelerate the achievement of Avid’s strategic vision, building on the momentum of our successful ongoing transformation achieved over the past several years.”</p>
<p>“We are excited to begin the next phase of Avid’s journey. Avid’s solutions are integral to content creation and management workflows across the film, television and music markets. Building on Avid’s established leadership position, we look forward to accelerating Avid’s growth trajectory through a deep focus on innovation and delivering enhanced customer value,” said William Chisholm, Managing Partner, and Patrick Fouhy, Principal, of STG.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/by-brand/avid/avid-aquisition-get-the-green-light">AVID Aquisition Gets the Green Light</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<item>
		<title>Avid Pro Tools Sketch for Desktop &#038; iPad</title>
		<link>https://www.audiotechnology.com/news/avid-pro-tools-sketch-for-desktop-ipad</link>
					<comments>https://www.audiotechnology.com/news/avid-pro-tools-sketch-for-desktop-ipad#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Thu, 21 Sep 2023 16:00:36 +0000</pubDate>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Software + Plug-ins]]></category>
		<category><![CDATA[Apple App Store]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[Avid Webstore]]></category>
		<category><![CDATA[David Toomey]]></category>
		<category><![CDATA[Export Selected Range]]></category>
		<category><![CDATA[innovative music distribution]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[Pro Tools 2023.9 software release]]></category>
		<category><![CDATA[Pro Tools Sketch]]></category>
		<category><![CDATA[Pro Tools Sketch iPad app]]></category>
		<category><![CDATA[Pro Tools Studio]]></category>
		<category><![CDATA[Software Updates + Support Plan]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=77577</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/news/avid-pro-tools-sketch-for-desktop-ipad">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/avid-pro-tools-sketch-for-desktop-ipad">Avid Pro Tools Sketch for Desktop &#038; iPad</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">Avid has announced Pro Tools Sketch, a new non-linear, clip-based creation tool in Pro Tools software that is also available as a free iPad app. Pro Tools Sketch enables musicians to quickly capture new ideas and freely experiment with concepts and songs, and find inspiration with a massive library of free loops, virtual instruments and effects. Years in the making, this new addition to the Pro Tools workflow adds a must-have creation process directly alongside the Edit and Mix windows that established modern linear audio recording.</p>
<p class="p1">With Pro Tools Sketch, Avid addresses the growing needs of modern creators, no matter their preferred music creation style. While the Pro Tools Sketch iPad app is available for free to anyone via the Apple App Store, the Pro Tools 2023.9 update is now available to all Pro Tools customers on an active subscription or perpetual license with a current Software Updates + Support Plan, as well as all users of the free Pro Tools Intro application.</p>
<p class="p1"><b>Pro Tools Sketch</b></p>
<p class="p1">Pro Tools Sketch is a significant expansion of the Pro Tools music creation workflow, adding a non-linear creation environment to the proven Pro Tools toolset used on the majority of top music releases, movies, and TV shows. Users can now start with clip-based sketches in which loops, MIDI, and recordings can be freely organised and played, and then exported to be shared with friends. Sketches can also be moved to the Pro Tools timeline for further production using its world-class editing and mixing tools. And since sketches can be moved between computer and iPad at will, users can capture and play with ideas anywhere inspiration strikes.</p>
<p class="p1">Pro Tools Sketch features 16 tracks and virtually unlimited scenes and includes over 1GB of loops and a variety of onboard effects to create for any kind of music genre. Users can quickly audition audio and MIDI loops in the Browser and drag them into the launcher where they can be played, moved, and tweaked. Audio and MIDI can be recorded and edited alongside loops and then quickly organised into linear song arrangements. Whether users are experienced or new to Pro Tools, Sketch gives them new ways to experiment and make something they truly love.</p>
<p class="p1">“Every music creator wants to capture inspiration when it arises and act on it precisely at that magical moment—and it should be simple and easy. We made Sketch to go far with ideation, letting any user start experimenting with their notions right away and then simply hop into Pro Tools when they’re ready to take them further forward,” said David Toomey, Senior Vice President &amp; General Manager of Audio &amp; Music Solutions. “We’re incredibly excited for beginners and pros alike to work out non-linear ideas with total convenience, then mix and edit in Pro Tools. Creators never stop generating new ideas and Sketch lets their output keep pace with their individual creative sparks. Not a single moment wasted, not a single idea lost.”</p>
<p class="p1"><b>Other New Pro Tools 2023.9 Features</b></p>
<p class="p1">Pro Tools 2023.9 software update also introduces Export Selected Range, which enables Pro Tools Studio and Ultimate customers to export selected portions of the timeline as a new session. This feature is perfect for breaking up large post sessions, separating a live recording into a session per song, and saving important elements of the session as bite size pieces. The release also delivers drag-and-drop plugin slot reordering to give users greater flexibility in experimenting with and changing processing order, and more.</p>
<p class="p1"><b>Availability</b></p>
<p class="p1">The Pro Tools Sketch iPad app is now available free to download via the Apple App Store. The Pro Tools 2023.9 software release is now available to all Pro Tools customers on an active subscription or perpetual license with a current Software Updates and Support Plan, as well as all users of the free Pro Tools Intro application.</p>
<p class="p1">New Pro Tools subscriptions (Artist, Studio, and Ultimate) can be purchased on the Avid Webstore or through an authorised Avid reseller. New Pro Tools perpetual licenses are exclusively sold by authorised Avid resellers.</p>

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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/avid-pro-tools-sketch-for-desktop-ipad">Avid Pro Tools Sketch for Desktop &#038; iPad</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Review: Avid MBox Studio</title>
		<link>https://www.audiotechnology.com/reviews/avid-mbox-studio</link>
					<comments>https://www.audiotechnology.com/reviews/avid-mbox-studio#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Sun, 22 Jan 2023 23:00:48 +0000</pubDate>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Issue 85]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[AAX plugin]]></category>
		<category><![CDATA[audio interface]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[Avid audio]]></category>
		<category><![CDATA[DAW Interface]]></category>
		<category><![CDATA[DSP processing]]></category>
		<category><![CDATA[Fasttrack]]></category>
		<category><![CDATA[Graeme Hague]]></category>
		<category><![CDATA[headphone mix]]></category>
		<category><![CDATA[Hi Z to Amp]]></category>
		<category><![CDATA[issue]]></category>
		<category><![CDATA[matrix routing]]></category>
		<category><![CDATA[Mbox]]></category>
		<category><![CDATA[Mbox Studio]]></category>
		<category><![CDATA[monitor mix]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[Re-Amp port]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Variable Z input]]></category>
		<guid isPermaLink="false">https://www.audiotechnology.com/?p=73636</guid>

					<description><![CDATA[<p> [...]</p>
<p><a class="btn btn-secondary understrap-read-more-link" href="https://www.audiotechnology.com/reviews/avid-mbox-studio">Read More...</a></p>
<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/avid-mbox-studio">Review: Avid MBox Studio</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
]]></description>
										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1"><strong>Review:</strong> Graeme Hague</p>

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			<p class="p1">Since its introduction in 2002, the design of the first MBox and its subsequent successors has always been about simple USB ‘boxes’. These came with enough connectivity to provide entry-level access to the world of Pro Tools, and Avid recognised that home studio enthusiasts were a viable market. Avid felt that having them start out with a trimmed-down version of Pro Tools and an MBox, or a Fasttrack interface, might lead to bigger and better things. The units were tough, portable, and reliable — I still have a Fasttrack Duo that always works regardless of the varied Windows OS and obsolete drivers on my laptop.</p>
<p class="p1">For those of us who have been around a while, don’t be duped by the MBox moniker. This isn’t a glorified Pro Tools dongle, it’s much more. <span class="Apple-converted-space"> </span></p>
<h4 class="p1"><b>FINGERS &amp; TOES</b></h4>
<p class="p1">The MBox Studio manages to shoehorn in an I/O count of 21 inputs and 22 outputs.<b> </b>Aside from the four Variable Z mic/line inputs — which are important for many users — there are TRS line inputs, and ADAT optical ports giving you 8 channels each way. Then there’s MIDI, a sneaky TRS output on the front panel offering a convenient re-amp connector, and, more interestingly, Bluetooth in and out. Finally, there’s a talkback microphone, which is also connected to a guitar tuner, but what gets a big thumbs-up from me are the two separate headphone outputs with individual volume controls.</p>
<p class="p1">The layout and workflow of the MBox Studio provide a cool diversion from the norm. Two large rotary controllers allow the adjustment of everything, depending on parameters chosen by a bank of buttons. The concept isn’t too dissimilar to a live mixing console — where you first need to choose what you’re tweaking before a single controller can dial in the changes — albeit in a scaled down way.<span class="Apple-converted-space"> </span></p>
<p class="p1">The Studio is essentially split down the middle with the left controller handling Input parameters, while the right rotary dial deals with Output settings. Both have push-button operation to cycle through options. The legending<b> </b><span class="s2">and backlighting of the interface provides clarity —</span> there’s never any confusion about what you’re doing. Four assignable hotkeys can be configured to access most functions (although not as Transport controls) and are given a dedicated colour. These are dual-purpose, where a single, short or long press can trigger different uses.</p>
<p class="p1">Still a desktop model, and larger than its predecessors, it requires USB-C to a computer and the included power supply. The wedge-shaped profile that allows the space needed for its wealth of hardware connectors at the rear has the MBox Studio looking like a mini console.</p>

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			<h4 style="text-align: center;"><strong>NEED TO KNOW</strong></h4>

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<div class="uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin   "><ul class="uavc-list"><li><div class="uavc-list-content" id="list-icon-wrap-4355">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-dollar usd"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-4355 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PRICE</b></p>
<p>A$1599 (includes a one-year subscription to Pro Tools Studio and extra bundled plugins)</span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-9654">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-phone"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-9654 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONTACT</b></p>
<p><strong>Innovative Music:</strong> (03) 9540 0658 or <a href="http://innovativemusic.com.au">innovativemusic.com.au</a></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-7516">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-check"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-7516 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>PROS</b></p>
<ul>
<li class="p1">Heaps of connection options and controllers for a relatively small footprint</li>
<li class="p1">Clever design of the layout</li>
</ul>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-9009">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-close remove times"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-9009 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>CONS</b></p>
<ul>
<li class="p1">The learning curve of the Controller software can be a little daunting at first</li>
</ul>
<p></span></div></li><li><div class="uavc-list-content" id="list-icon-wrap-2934">
<div class="uavc-list-icon  " data-animation="" data-animation-delay="03" style="margin-right:10px;"><div class="ult-just-icon-wrapper  "><div class="align-icon" style="text-align:center;">
<div class="aio-icon none "  style="color:#333333;font-size:25px;display:inline-block;">
	<i class="Defaults-stack-exchange"></i>
</div></div></div>
</div><span  data-ultimate-target='#list-icon-wrap-2934 .uavc-list-desc'  data-responsive-json-new='{"font-size":"","line-height":""}'  class="uavc-list-desc ult-responsive" style=""><b>SUMMARY</b></p>
<p class="p1">This isn’t your MBox of old. This is a far more featured and capable interface. Be prepared for digging deep to discover all the things it can do.</p>
<p></span></div></li></ul></div></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-10"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1024" height="557" src="https://www.audiotechnology.com/wp-content/uploads/2013/01/MBOX-STUDIO-Hero-Left-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="MBOX-STUDIO-Hero-Left-pichi" fetchpriority="high" srcset="https://www.audiotechnology.com/wp-content/uploads/2013/01/MBOX-STUDIO-Hero-Left-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2013/01/MBOX-STUDIO-Hero-Left-pichi-800x435.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2013/01/MBOX-STUDIO-Hero-Left-pichi-768x418.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2013/01/MBOX-STUDIO-Hero-Left-pichi-600x326.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div><figcaption class="vc_figure-caption">The console-like wedge shape of the interface works well and keeps a small footprint.</figcaption>
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			<h4 class="p1"><b>WHAT’S IT ALL ABOUT?</b></h4>
<p class="p1">Most desktop audio interfaces are intended to be entirely subservient to the host DAW. Not so the MBox Studio.</p>
<p class="p1">The MBox Studio Control software gives you such complete control and DSP processing of your inputs and monitoring that the DAW activity (whether that be Pro Tools or another platform) is often just happening in the background. Aside from playback of the existing session tracks, the Studio can provide almost everything you need for real-time, latency-free tracking. Usually, there’s a bit of to-and-fro between the interface software and the DAW session to create the ideal recording environment in the headphones or monitors. Instead, the Control software has nearly everything covered. Before worrying about the business of tracking, you can work within this GUI exclusively — ignoring the DAW window — while getting your monitoring sounding perfect.</p>
<p class="p1">Okay, I’ve said ‘almost’ and ‘nearly’, and that’s because the Control GUI lacks a fully functioning compressor on the inputs. This is something that immediately raised a few questions in the Pro Tools community, however you <em>can</em> always punch in the soft limiter instead.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1024" height="459" src="https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-Studio-HB_0965E-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="MBOX-Studio-HB_0965E-pichi" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-Studio-HB_0965E-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-Studio-HB_0965E-pichi-800x359.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-Studio-HB_0965E-pichi-768x344.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-Studio-HB_0965E-pichi-600x269.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div>
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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<h4 class="p1"><b>COMFORT ZONE</b></h4>
<p class="p1">On every MBox Studio input, inside the Control software, is a channel strip-like interface where you can fine-tune your source signal. Most on/off functions are also accessible via the buttons on the interface, but the software GUI makes things more obvious. There is a Pad, HPF, that soft limiter, and a polarity switch. Your 48V phantom power is provided individually to each channel, and you can choose between mic/line/instrument inputs — although this is also automatically determined by what has been plugged in. A variable Z impedance setting gives you the exact values of the seven options, whereas the hardware buttons will only display different colours to indicate different values. Gain and pan controls are there too, along with mute and solo. Off to one side is an Avid FX Send that feeds two global effects engines with reverb and delay, the latter maxing out at 320ms. These can be bypassed individually if any input doesn’t require anything.</p>
<p class="p1">Below all of that is a four-band parametric EQ which can be similarly bypassed, and also offers the option to ‘EQ to DAW’, meaning your track can be printed with EQ (or not). Bottom line: you can configure the perfect headphone mix, including EQ and any effects that puts the artist in their comfort zone, while your tracked signal is raw and untouched. Given that this is all done in-the-box, your DAW’s CPU isn’t troubled by any of it. All that’s left to do now is put together a mix of your MBox Studio inputs.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1024" height="396" src="https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-STUDIO-Back-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="MBOX-STUDIO-Back-pichi" srcset="https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-STUDIO-Back-pichi.jpg 1024w, https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-STUDIO-Back-pichi-800x309.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-STUDIO-Back-pichi-768x297.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2023/01/MBOX-STUDIO-Back-pichi-600x232.jpg 600w" sizes="(max-width: 1024px) 100vw, 1024px" /></div><figcaption class="vc_figure-caption">That wedge shape is for good reason. The rear of the MBox Studio has a bunch of connections.</figcaption>
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			<h4 class="p1"><b>ENTER THE MATRIX</b></h4>
<p class="p1">Here’s where you really need to keep your thinking cap on. For every hardware input (21 of them) there is a fader that controls the send level to each of the 22 outputs. Further to that, in between this are eight ‘internal’ software inputs (each with its own fader) to control the levels to each output. The internal software inputs are the available buses inside your DAW. As long as they’re assigned to a bus you can adjust the monitor levels of separate tracks in your session — keeping in mind that your Internal Software Inputs 1 &amp; 2 are your Main Outs by default.</p>
<p class="p1">Initially, the matrix can feel intimidating. But if, for example, you choose the second headphone output as your destination, you have the ability to create a bespoke additional monitor mix — which is pretty darn cool. There are, of course, plenty of other potential applications. By the way, you can save that matrix configuration as a preset.</p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-10"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="1440" height="816" src="https://www.audiotechnology.com/wp-content/uploads/2013/01/REFMainViewDefaultAvidFX-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="REF+Main+View+Default+Avid+FX-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2013/01/REFMainViewDefaultAvidFX-pichi.jpg 1440w, https://www.audiotechnology.com/wp-content/uploads/2013/01/REFMainViewDefaultAvidFX-pichi-800x453.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2013/01/REFMainViewDefaultAvidFX-pichi-768x435.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2013/01/REFMainViewDefaultAvidFX-pichi-600x340.jpg 600w" sizes="(max-width: 1440px) 100vw, 1440px" /></div><figcaption class="vc_figure-caption">The MBox Controller software GUI is well presented and encourages taking advantage of its powerful features.</figcaption>
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			<h4 class="p1"><b>PLAY IT AGAIN SAM</b></h4>
<p class="p1">Who needs amp sims when the Line 7 output is what Avid is calling the ‘Re-Amp’ port? This ‘Hi Z to Amp’ 6.25mm TRS output on the front of the interface is a thoughtful addition, and able to send a guitar track back out to that battered Fender Reverb Twin you’ve got mic’ed up in the corner. Obviously, it doesn’t have to stop there. I imagined sending a vocal signal to a hardware harmoniser or any kind of outboard processor. Again, it’s not ground-breaking, but the ease-of-use is very handy. The Bluetooth connections are touted as a means to check your mixes through domestic sound systems, but I immediately thought of a third headphone choice.</p>

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			<h4 class="p1"><b>THINKING OUTSIDE THE MBOX</b></h4>
<p class="p1">The MBox Studio offers users the best of both worlds, and then some. The convenience of its design and its smaller footprint are deceptive as to what it is really capable of. This is a powerful and well-featured device that’s deservedly in the upper echelon of DAW interfaces. If you’re more accustomed to a black on black colour scheme with perhaps one blue LED near the on/off switch then this product might initially present as less-than-professional. Don’t be swayed, the quality of the build and the components are excellent.</p>
<p class="p1">To get the best out of the MBox Studio then you need to spend less time looking at your DAW UI and more time in the Control GUI. For many, this will take some getting used to. The MBox Studio comes with a one-year subscription to Avid’s Pro Tools Studio version, a one-year subscription to Sibelius Artist, and a bundle of additional software on top of the 115-plus AAX plug-ins already included with the Pro Tools subscription. The interface is designed to work with older versions of Pro Tools (and other DAWs) so if you’re only looking to upgrade that trusty MBox or Fasttrack box, you’re good to go.</p>
<p class="p1">MBox Studio isn’t yet another audio interface. It’s a departure with plenty to commend it. I’ve no doubt it will appeal to seasoned Pro Tools professionals (perhaps for an edit room or second production suite) and to the more serious prosumer market.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img width="852" height="532" src="https://www.audiotechnology.com/wp-content/uploads/2013/01/mbox-studio-usb-audio-interface-plugins-pichi.jpg" class="vc_single_image-img attachment-full" alt="" decoding="async" title="mbox-studio-usb-audio-interface-plugins-pichi" loading="lazy" srcset="https://www.audiotechnology.com/wp-content/uploads/2013/01/mbox-studio-usb-audio-interface-plugins-pichi.jpg 852w, https://www.audiotechnology.com/wp-content/uploads/2013/01/mbox-studio-usb-audio-interface-plugins-pichi-800x500.jpg 800w, https://www.audiotechnology.com/wp-content/uploads/2013/01/mbox-studio-usb-audio-interface-plugins-pichi-768x480.jpg 768w, https://www.audiotechnology.com/wp-content/uploads/2013/01/mbox-studio-usb-audio-interface-plugins-pichi-600x375.jpg 600w" sizes="(max-width: 852px) 100vw, 852px" /></div><figcaption class="vc_figure-caption">A selection of AAX plug-ins on offer in the bundle.</figcaption>
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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/reviews/avid-mbox-studio">Review: Avid MBox Studio</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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		<title>Pro Tools Carbon Pre</title>
		<link>https://www.audiotechnology.com/news/pro-tools-carbon-pre</link>
					<comments>https://www.audiotechnology.com/news/pro-tools-carbon-pre#respond</comments>
		
		<dc:creator><![CDATA[Audio Technology]]></dc:creator>
		<pubDate>Fri, 21 Oct 2022 02:13:00 +0000</pubDate>
				<category><![CDATA[Audio interface]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Interfaces]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[AD converters]]></category>
		<category><![CDATA[ADAT preamp expansion unit]]></category>
		<category><![CDATA[ARA 2]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[Carbon Pre]]></category>
		<category><![CDATA[Celemony Melodyne]]></category>
		<category><![CDATA[Francois Quereuil]]></category>
		<category><![CDATA[HDX DSP acceleration]]></category>
		<category><![CDATA[hybrid engine]]></category>
		<category><![CDATA[Mbox Studio]]></category>
		<category><![CDATA[multi-mic pre interface]]></category>
		<category><![CDATA[Pro Tools Carbon Pre]]></category>
		<category><![CDATA[Pro Tools HD system]]></category>
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<p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/pro-tools-carbon-pre">Pro Tools Carbon Pre</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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										<content:encoded><![CDATA[<section class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-2"><div class="vc_column-inner"><div class="wpb_wrapper"></div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p class="p1">Avid has unveiled Pro Tools Carbon Pre at the AES Show 2022 in New York City. The product allows individual artists, bands, and producers using Pro Tools Carbon, or third-party audio interfaces to easily expand their studio setups to capture every sonic detail of large tracking sessions. Pro Tools Carbon Pre is a pristine multi-mic pre interface that enables the highest-quality audio at 32-bit resolution to maximise dynamic range from input to output across the entire audio production workflow.</p>
<p class="p1">“The Pro Tools Carbon system eliminates the barriers and tedious tasks that detract from productivity and creativity to enable artists and musicians to focus on capturing great performances and mixes,” said Francois Quereuil, Vice President, Product Management for Audio and Music Solutions, Avid. “Pro Tools Carbon Pre is a high-quality I/O expansion option for users who need to record full bands. Pro Tools Carbon Pre delivers the flexibility of additional mic/line inputs and outputs to enable brilliant sound quality on every track while leveraging the system’s Hybrid Engine, with complete remote control, and recall capabilities that are fully integrated with Pro Tools.”</p>
<p class="p1">Matching the audio performance of Avid’s groundbreaking Pro Tools Carbon interface, Pro Tools Carbon Pre enables users to expand their system with 24 channels of world-class mic/line preamps and line outputs. This allows users to capture large tracking sessions and multi-mic live recordings delivering impeccable sound quality from capture to output. In addition, Pro Tools Carbon’s extremely low-noise mic preamps have variable impedance — which lets users subtly change the tone of their mics — so they can be confident of capturing every sonic detail in the studio.</p>
<p class="p1">Existing Pro Tools HD systems needing more mic preamps can leverage Pro Tools Carbon Pre as an eight-channel ADAT preamp expansion unit to scale up I/O. Users can control up to nine Pro Tools Carbon Pre units in a Pro Tools HD system, while also tapping into the Pro Tools Hybrid Engine for low-latency input processing.</p>
<p class="p1">To help capture impeccable sound quality across the entire system, Pro Tools Carbon Pre also uses stacked AD converters on each input, while also providing industry-leading double-precision clocking. Pro Tools Carbon Pre allows artists to optimise and colour the tone of mic or instrument inputs with Variable Z impedance switching, so users hear and feel every nuance in their recordings.</p>
<p class="p1">Pro Tools Carbon Pre accelerates audio workflows without the need for users to access the interface to make changes. Artists can remotely control, save, and recall all preamp settings — including phantom power, gain, and impedance switching directly in Pro Tools across all Pro Tools Carbon-connected interfaces. With an instant session recall courtesy of the virtual assistant, users can quickly switch between sessions without any delays from manual setup and reconfiguration.</p>
<p class="p1"><b>Raising The Bar On Audio Interface Performance<br />
</b>The Pro Tools Carbon audio interface empowers artists, bands, engineers, and producers to record every detail of every performance with the utmost clarity and precision. Built to capture brilliance, this hybrid audio production system features incredible sound quality and intelligent Pro Tools integration that combines the power of the user’s native CPU with the unparalleled performance of HDX DSP acceleration.</p>
<p class="p1"><b>Always Innovating For Music Creators<br />
</b>In addition to debuting Pro Tools Carbon Pre today at the Audio Engineering Society Show 2022 (booth 155), Avid is showcasing its brand-new Mbox Studio which brings professional recording power to personal studios with the most comprehensive desktop interface ever made. Avid is also demonstrating the latest version of Pro Tools featuring tightly integrated Celemony Melodyne software via ARA 2 for quick vocal tuning and creating harmonies, re-voicing instruments, fixing rhythm timing, and much more.</p>
<p class="p1"><b>Pricing And Availability<br />
</b>Pro Tools Carbon Pre will be available later this month through resellers, starting at U$2,999.</p>

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</div></div></div></div><div class="aio-icon-header" ><h4 class="aio-icon-title ult-responsive"  data-ultimate-target='#Info-box-wrap-5697 .aio-icon-title'  data-responsive-json-new='{"font-size":"","line-height":""}'  style="">CONTACT</h4></div> <!-- header --><div class="aio-icon-description ult-responsive"  data-ultimate-target='#Info-box-wrap-5697 .aio-icon-description'  data-responsive-json-new='{"font-size":"","line-height":""}'  style=""><strong>Avid:</strong> <a href="http://www.avid.com">avid.com</a><br />
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</section><p>The post <a rel="nofollow" href="https://www.audiotechnology.com/news/pro-tools-carbon-pre">Pro Tools Carbon Pre</a> appeared first on <a rel="nofollow" href="https://www.audiotechnology.com">AudioTechnology</a>.</p>
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